Beef (2023)

I admittedly came very late to Beef. Everyone has seen it already but I've at least gotten to it before the strike-delayed Emmys. And it's a super quick watch, a ten-episode miniseries at about 30 minutes each. It's an easily digestible format you could get through in a day. It's a compact beginning-middle-end. 

Beef is both dark comedy and thrilling drama. It strikes a balance. Surprisingly, Ali Wong, who I really only know as a stand up comic nails the dramatic side of the role too. Steven Yeun (who sings adequately and plays guitar at a Korean church) plays her rival in a road rage revenge that spirals out of control. The escalations are so extreme and petty you can't help but laugh or gasp in shocked silence. They are two troubled souls entwined. In another life, or maybe simply by talking to each other, they could be kindred spirits. But they enrage each other so much, they end up sabotaging themselves every time they come close to achieving success or happiness. Broken people hurt people and need people.

The supporting cast is fantastic too. While the show features a plethora of Asian American characters, the show isn't really about being Asian. It even features culturally specific notes while not focusing on them as plot point, with the one exception of the Korean church. OK maybe also about Asians being bad at driving. But it's kind of refreshing to see Asians being temperamental, not just passive. Western therapy doesn't work on Eastern minds lol

Here We Are (The Shed) (2023)

Here We Are is Stephen Sondheim's final unfinished work. It is a long gestating adaptation of Luis Bunuel's The Discreet Charm of the Bourgeoisie (they can't eat) and The Exterminating Angel (they can't leave), a combination of two brilliant surrealist fantasies.  I think Sondheim knew he wasn't going to finish it. You can see it in Act II. There are scenes that clearly left room for a song. There's a little bit of under-scoring. But Act II is virtually a straight play. And supposedly the cop out is that the nature of The Exterminating Angel doesn't call for music because they're trapped in a room, but I don't really buy that excuse. He just didn't finish it and they left it that way. Act II though has a phenomenal set. And I actually quite like the simpler set in Act I too with the banquette/signs that descend from the ceiling to form makeshift restaurants, along with the cool virtual grass on the sides of the stage.

I don't remember such an explicit eat-the-rich bent to the movie, but it works here and I think makes it relevant and modern. The music in Act I is extremely Sondheim. The wordplay, rhythm, and music are all reminiscent of his classics. I think my favorite was the patter song sung by a fantastic Denis O'Hare at the first restaurant. I didn't know his name but I recognized him from The Good Wife/Fight, though not until I saw him up close. Before the play actually starts, O'Hare and Tracie Bennette in their maid and butler outfits tidy the immaculate stage walls and mirrors. The other standout for me was David Hyde Pierce who essentially plays Niles form Frasier and has just the type of one-liners. It's a star-studded cast of theater vets paying homage to the legend. 

Aside, in a rather quiet moment of Act II there was a loud disruptive noise coming from what I can only guess was the HVAC system. I thought maybe it was part of the show at first, as the actors briefly paused but the show went cause they're professionals. Though the sound went on for quite a while.