Café Society is a
return to form for Woody Allen after some not-so-great movies in the last few
years. It was actually quite reminiscent of some of his earlier work, relying
on the same themes and characterizations and brilliant use of his beloved jazz
that brought him fame. I could not help but see a little of Woody Allen in
Jesse Eisenberg as Bobby. Eisenberg really embodies the neurotic, quirky,
fast-talking, exasperated, sarcastic characters that Allen used to write for
himself. This was especially apparent in the scene with Parker Posey in which
he has an awkward encounter with a hooker. He says everything he's thinking as
it comes to him in his high-level lightning-fast thought process. Allen holds
nothing back in his dialogue.
All the acting was
actually quite memorable for the right reasons, including all of Bobby's
very-Jewish family back in the Bronx and a surprisingly adept Steve Carrell
playing far away from his iconic character on the office. But of course, Allen
is known for his female characters and Kristen Stewart is just superb. In her
very first scene, she has just a couple lines of dialogue, but she has this
afternoon glow (and smile to match) about her that radiates and holds your
attention. And this lighting effect recurs several times for Stewart's
character. There are some really great shots in Central Park that are made
whole with this effect. She shows so much depth in her facial expressions and
delivery that it makes me wonder if I have overlooked her work in the past
(though on second thought I don't think there is any redemption for Twilight).
She nails both the plain but charming secretary and the elegant society woman.
As for the story, it
has been incorrectly marketed as a story about old Hollywood, but I think a
majority of the film actually took place in Allen's beloved New York (it is
even sort of anti-Hollywood). He doesn't use the words "café society"
until Bobby returns to the east coast. In fact, for the first half of the film
it seemed as though Bobby would stay in the middle class and not rise to the
upper intellectual class that Allen typically writes about. I think it is Allen narrating the film as
well, though I wasn't entirely sure. Much of the plot is actually told to the
audience through the narration instead of shown, which is a stylistic choice
that works in well-written comedy. Like a classic Woody Allen plot, there is an
impossible love triangle. It is delightful and fun. Have we seen it before?
Yes, but it is good to see the master of romantic comedy returning to what he
does so well.
Now, we're rubbing
shoulders with this high society. We walked down the red carpet that the cast
did and into the palace at the 11pm screening at Cannes. That was an experience
in itself.
