Sorry to Bother You is a wickedly funny dark comedy. The social commentary in the film is bold and brilliant. The premise of the movie as seen in the trailer is absurd in itself. LaKeith Stanfield plays a telemarketer who has to put on his white voice in order to be taken seriously over the phone. His white voice is non other than David Cross, Tobias Funke himself who sounds supremely white. From there, the movie takes several unforeseen left turns through organized labor, modern slavery, human experimentation, and communism. The movie is genuinely scary at times because we see this absurd alternate world that is not-all-that-far from our own reality. We are slaves to a system of exploitation for profit without regard to human rights or dignity--not to mention the millions of people that live in actual slavery. This vision of the world we live in is so dark that you can't help but laugh out of pure discomfort.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label David Cross. Show all posts
Showing posts with label David Cross. Show all posts
Sunday, September 16, 2018
Monday, June 29, 2015
Pitch Perfect 2 (2015)
I am not a huge fan of a capella in the first place, but I was at least able to enjoy the first one. On the other hand, the sequel just was not that funny. Rebel Wilson is more naturally funny in a self deprecating way, and she gets most of the comedic lines. Perhaps some of the magic has worn off this time around. At least the last one painted a plausibly honest picture of college life. This one was just ridiculous and unrealistic. As for the music, Anna Kendrick has a bizarre, interesting, genuinely enjoyable duet with Snoop Dogg singing Christmas carols. The original movie had a huge hit in the song "Cups" which is reprised in this film with less fanfare and notably without the eponymous cup. In the sequel, I think the audience was supposed to latch onto the song "Flashlight" by Jessie J, which is posed as an original written by Haley Steinfeld's character. However, the song just isn't as catchy as cups and lacks the novelty of the percussion. Haley Steinfeld proved that she could sing in last year's Begin Again, but she really did not stand out singing in an a capella group.
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