Bohemian Rhapsody (2018)

It's not a great biopic but it's good fun. The movie shines in the musical sections, especially the Live Aid performance (which would've been really cool as a single shot if they had the ambition and money for it). But the story is lacking. The biopic is an inherently flawed genre and it shows in this movie. Freddie Mercury had an interesting and troubled life and I don't think the movie does it justice. Take his relationship with Mary for instance. She was his one true friend. She was the subject of Love of My Life. But we don't really see how their relationship evolves. After the first third of the movie, we hardly see them interact at all. And what right does she have to define him as gay? The central conflict in the movie is driven Mercury's relationship with Paul Prenter, who is blamed for driving the band apart. But I think it really should have focused on a man vs self conflict because Freddie was a complex guy. Rami Malek is phenomenal. Freddie Mercury was quite the character and Malek's interpretation of him is engrossing. And the costumes are great.

X-Men: Apocalypse (2016)

What I love about the X-Men series is the complex discussion of politics and the revisionist history making for an engaging story. This movie doesn't do that. Instead, like a typical superhero movie, it delves into mythology, which is less interesting. And X-Men has gotten extraordinarily confusing in terms of timeline. How could this big huge Apocalypse thing have happened in the 80s and we never heard about it in the original trilogy? There is the welcome re-insertion of Jean Grey (Sophie Turner from Game of Thrones!), Nightcrawler, Storm (who is apparently Egyptian now?) and Cyclops, but Angel is a puzzle. Is this a different Angel than the one from the original trilogy? Because his appearance in this film does not fit in with his role in the original. There is a small cameo by Wolverine, which is bizarre because Wolverine usually has a bigger part in X-Men. And if he wasn't going to have a real role, we didn't need the two minutes. The after-credits scene also alluded to something related to Wolverine, probably to connect this to his next standalone movie. The film's greatest strength is fitting Jean Grey's development back into the narrative, seeing as she is one of the most important mutants.  Usually, one of the high points is the Magneto-Professor X dynamic, but I don't think they got enough scenes together this film. And there was really nothing added to their relationship in this story line. Hopefully, the next X-Men movie returns to its roots.