The Deuce (2017-19)

Not as groundbreaking as the Wire, but every bit as astute, insightful and well made. David Simon remains our greatest chronicler of the American city, this time New York in the 70s and 80s around 42nd Street. The epilogue shows what it has transformed into now, a tourist trap, a far cry from the Taxi Driver-era. Simon is interested in the how; what are the socioeconomic and political drivers that cause a city to change? Ed Koch looms over the show though he is never shown on screen. The third season's coverage of the AIDS epidemic is especially poignant. In parallel, it's also about the pornography industry, in that window it enjoyed mainstream success. For that the story expands out to California. I'd say the third theme is the mafia, showing the audience how organized crime makes money in as much detail as The Sopranos. Simon treats his characters equally and with dignity, whether they are government officials, policemen, reporters, mobsters, pimps, prostitutes or pornographers.  They all have rich, thoughtful characterization with satisfying arcs. The stars are James Franco, who plays twins, and Maggie Gyllenhaal, who plays a prostitute turned porn-director turned art house filmmaker. The rest of the cast is full of David Simon regulars who appear in his other works. He continues to cast them because they're good. Simple as that.

The Ballad of Buster Scruggs (2018)

The Coen Brothers' latest movie is a Western anthology. Comprised of six stories of varying length and depth. They are all humorous in one way or another. Some end happily, some don't. But all are entertaining. The stories have little to do with each other, sharing only the wild west theme. There is quite a decent amount of singing too--you never quite know what to expect. I must admit I did not understand the last story, but after reading more about it online, I realized juts how creepily dark and brilliant it is. Even if you're not into Westerns, it is worthwhile viewing.

The Disaster Artist (2017)

The Disaster Artist is a movie about making the worst movie of all time. And it's hilarious. The Room was ridiculously bad. And this was surprisingly good. I don't know how James Franco pitched this movie but it surprisingly works. James and Dave Franco are spot on as Tommy Wiseau and Greg Sestero. And it looks like they're having so much fun playing these bonkers characters. Good or bad, it's not easy to recreate a movie scene for scene. It's so nuts, it's incredibly enjoyable.

The Little Prince (Le Petit Prince) (2015)

This is a gorgeous little movie that mixes traditional computer animation with creative stop motion animation. The animation is brilliant. That is by far the best part. I admit I didn't read The Little Prince. So I don't have the same connection to this story that other people have. But it is a touching story with an uplifting moral. There is this strange balance between English and French in this movie. The dialogue is in English but the text is in French. The production is French, but was supposed to be accessible to a wider audience. And yet it has had a difficult time breaking into the American market. I had to see it on an international flight. But I would highly recommend it to all kids.

The Interview (2014)

I readily admit that I probably would not have seen this movie had it not been for all the controversy brought by the cyber-terrorist attack.  It is important that the right to free speech be preserved and protected and that no one, let alone cyber-terrorists, be allowed to decide what may be said.  Political satire has been consistently protected by the Constitution--it is the Constitution not terrorism that dictates law in America.  

The movie just as much a satire on the North Korean regime as it is on the American media.  It presents an interesting idea about politics.  How does a regime fall?  The initial plan is to kill the Supreme Leader, hoping that a better leader will usurp power.  But of course there is a Plan B.  Plan B shows the full potential of the media in its power to affect change and to make the public aware of what has been kept secret.

That being said, it is not a great movie.  It has its funny moments, mostly in the beginning of the film (I appreciate a good Hobbit reference).  As the movie progresses, the jokes get old.  We don't know too much about Kim Jong Un, so Randall Park runs with his portrayal, playing a shy, not-very-charismatic leader.  His depiction of the Supreme Leader is almost as funny as Margaret Cho's portrayal of the late Kim Jong Il in 30 Rock.  I've come to rather like Seth Rogen who is quite likable, but James Franco just comes off as annoying.