The Big Sick (2017)

There's a few really great things going on in The Big Sick that just make you smile. Let's start with the obvious, we need more Asian-American stories in American cinema. South Asian men like Kumail Nanjiani and Aziz Ansari have broken the white stranglehold on rom-coms. Kumail is a fully developed character who must navigate his own heritage and underlying racism to get the girl. I think part of the reason the film lands so well with the audience is that it is based on a real, honest, autobiographical story. It is believable because it is never trying to simply make a statement. It's not a soapbox movie about racism, it's a love story. Kumail is likable, relatable, desirable--so the audience easily empathizes with him. The movie is intelligent and it brings freshness to the rather staid genre. It is rounded out by excellent performances from Holly Hunter and Ray Romano (it's nice to see him again). 

Popstar: Never Stop Never Stopping (2016)

My biggest criticism of this film is also its greatest asset. That is Andy Samberg. I can handle an SNL Digital Short for five minutes. I like Brooklyn Nine-Nine, which is basically the Andy Samberg show. I can handle twenty minutes of him, but a full-length feature is just too much. His stupid jokes are funny for a little bit, but you get tired of them. He just lingers on them for too long and turns the dial up too high. He plays his usual man boy character. There are a plethora of celebrity cameos from singers and other music industry heavyweights. How did they get all of them? And did they know the movie would be so bad? They each only have a few seconds, a single line. And their appearance is actually so ridiculous in this movie that it makes you laugh. The movie is in a mockumentary format. Taking a page out of 7 Days from Hell, Andy Samberg really likes making fake documentaries. The Lonely Island isn't meant for long form comedy.

Trainwreck (2015)

Judd Apatow takes his tried and true R-rated comedy formula, and refreshingly puts a female protagonist at the helm.  Amy Schumer pens this hilarious not-your-typical romantic comedy.  No, Schumer pokes fun at romantic comedy cliches in a satire of sorts.  Her self deprecating, biting, edgy, raunchy humor is exactly what we've come to expect from Schumer.  But at the same time, there is a good balance between humor and seriousness.

Amy Schumer and Bill Hader play great leads. They have good chemistry together, and they make each other funnier feeding off of each other's energy.  Tilda Swinton is unrecognizable in her tanned skin tone.  And the MVP award goes to LeBron James playing himself. Is there anything he can't do?  As the concerned friend and patient of Bill Hader, he is actually really funny.  

Begin Again (2013)

Begin Again is filled with good music.  Keira Knightley's singing voice is surprisingly pleasant.   Her singing is notably better than Adam Levine's acting.  Mark Ruffalo, as always is phenomenal.  The two leads have excellent chemistry.

However, the star of the film is definitely the music.  Gregg Alexander, John Carney and Glen Hansard have composed a solid soundtrack.  The song Lost Stars is sure to be a front runner for Best Song at the Oscars.  Carney is known for making movies about music, and he succeeds at integrating the songs into the plot.  The film must be compared to Once, and the fact of the matter is that Once is a better movie.  Begin Again seems to lack the emotional depth and the authenticity that Once has.

Anchorman 2: The Legend Continues (2013)

This movie is very uniquely Will Ferrell-style comedy.  He assumes the now iconic character of Ron Burgundy and just runs with the ridiculous nonsense.  It is very fast paced, with jokes in rapid succession.  The jokes are not as memorable as those one-liners from the first film,, but many of them hit the nail right on the head thanks to good execution.  The cast has mastered improv techniques and funny-looking facial expressions.  Aside from jokes, the plot is a relevant, clever, and spot-on satire on cable news.   Burgundy finds work at the thinly veiled 24-hour news network.  What do they do when they don't have 24-hours worth of news? He helms the decline of journalism and the rise of car chases and animal videos.  To quote Will Ferrell, "You're welcome, America."