Aquaman (2018)

There are some really good things about this superhero movie at a time when we're all sick of the genre. James Wan's direction is notable. I saw tinges of Furious 7 in the action sequences (and the final battle is Tolkien-esque). I love the zooms, in and out, in the Sicily scene, giving us a sense of scale and continuity between the separate chases. The underwater visuals are spectacular. The production design for Atlantis and the other underwater realms is visually stunning. And I also liked some of the music. There are some interesting choices (Pitbull singing Africa?). But every now and then, you hear music reminiscent of Vangelis's score for Blade Runner. I thought I might have caught a reference in the beginning too, when Nicole Kidman's character says the sea washes away tears in Atlantis, like teardrops in the rain (from the monologue at the end of Blade Runner). That's the best line in the movie. The rest of the dialogue is really cheesy. And it's a shame because there are some real nuggets of inspiration in the writing. The central conflict between Aquaman and his brother is quite interesting. We are engaged in the war between land and sea over pollution and warships because these are genuine problems in our world. Much less consequential is the conflict with Black Manta. It's obviously setting something up for a future movie, but he is totally insignificant and uninteresting  in this movie. Finally, I have to mention the acting because Amber Heard and Jason Momoa are just terrible. They can only do so much with bad writing...

Furious 7 (2015)

The seventh (that's right, seventh!) installment of the Fast and Furious series takes place post-Tokyo Drift.  It has the same message about family, the glamorous high life, diversity (spoiler alert: they kill off the Asian) and fast cars.  The only difference is they aren't fugitives anymore.  And this one is probably the most ridiculous in its stunts. But perhaps what is so ridiculously insane is the stunts were real, with minimal CGI.  They actually threw these nice, expensive cars out of a plane.  That was a pretty incredible sequence that was exhilarating and well edited.  There are some terrific action scenes. They know what they do best: car sequences, though I could've done without the non-auto fighting scenes.  The Rock has a fighting scene early on, and then does not reappear until the end rather comically.

Of course, we know that this was Paul Walker's final film before his untimely death.  This fact looms over the entire film.  I kind of got the sense that the intention was for Walker's character Brian to die. Brian, himself, speaks a number of foreboding lines that seem to foreshadow his death, but I suppose it would have been a bit harsh and disrespectful to have his character die.  Especially towards the end, you can tell that the stand-in for Brian is not, in fact, Paul Walker, but one of his siblings, though they do look strikingly similar.  Walker does get a fitting send off at the end, with Wiz Khalifa's "See You Again" over a montage of clips from the previous films in the series that remind you just how far this franchise has come.