Blood Father (2016)

Why do producers think we want to see old guys in action movies? Moreover why would they think we want to see Mel Gibson in anything? William H. Macy provides some comic relief, and the film opens with a joke about the ease with which you can buy bullets in the US (but cigarettes are more difficult). It is a typical action movie that doesn't really give us anything new. The film is otherwise kind of boring and conventional. It's basically Taken, but without the intensity of Liam Neeson. And as much as I don't like Mel Gibson, Erin Moriarty is the worst. She has no redeemable qualities. She's bland and unengaging, like the movie.

Room (2015)

I came into this film with a bit of a misconception. I heard a lot about Brie Larson and Jacob Tremblay giving tremendous performances (and they do), but I thought those performances were restricted to the confines of the titular room. I thought it was going to be two hours of Larson musing to her son about the outside world and keeping him entertained in the face of misery. But I was so wrong. Sure, there is some of that and it is really good, but the movie is really about adjusting to the outside world after having lived in Room for so long. And it's not like Unbreakable Kimmy Schmidt happy-go-lucky optimistic kind of adjusting; this is raw and powerful. This is not too much of a spoiler, but they escape from Room well before the end of the movie, to allow ample time for thoughtful introspection.

The two main characters have vastly different experiences despite living together in Room. Larson plays Joy, who was kidnapped at the age of 17. So she knows what is beyond Room and years to be free. But her son Jack complicates things. Her motives change when she has to think about her child. And the viewer soon realizes that her own agony is bottled up inside her because she is so worried about Jack that she can't worry about herself. Larson plays Joy beautifully. On the flip-side, you have Jack who was born and raised in captivity and knows nothing else. I think that the decision to give Jack narrative monologues to get inside his unimaginable child mindset was brilliant. Tremblay is a phenomenal 9-year old actor who just gives it his all. The escape scene is so powerful because of him. You feel the shock and awe and that raw emotion lingers with you for a solid 15 minutes. Full-grown actors can't even do that. 

The Wind Rises (2013)

Having grown up with Hayao Miyazaki's films, I was very saddened to hear that he would be retiring.  This was his final film. In the past, Miyazaki has shown a fascination with flight (much like his protagonist), and his films have featured pacifist themes.  It is Miyazaki's only film based on real life, though it retains his signature fantastical elements in lifelike dreams and imagination. The Wind Rises is about Jiro Horikoshi, who designed Japanese war planes during WWII--or rather he designed planes that Japan used for war.  Miyazaki ran into some controversy.  The film does not attempt to glorify a weapons maker, but an engineer and artist whose art was corrupted by war.  Horikoshi sums his feelings up in one line: "All I wanted to do was to make something beautiful."

As always in Studio Ghibli's films, the animation is incredible.  Depicting prewar Japan (which I became very familiar with after taking a class on Modern Japan last semester), Horikoshi experiences the Great Kanto Earthquake of 1923.  Watching this animated world shake and the city set ablaze is a feat of animation.  If there is any question as to Miyazaki's pacifist views, all the characters question who the warplanes would be used to attack, surely not America.  After reading John Dower's Embracing Defeat, I learned that most Japanese in the weapons industry were always aware of how behind Japan was technologically.  They knew that western weapons were far superior and figured Japan would not dare bomb America.  Miyazaki does not shy away from the historical facts, but presents it honestly.