Modern Family (2009-20)

Modern Family has been on for eleven years, and in many ways it represents a past era of television. Modern Family was arguably the last great network sitcom amidst the takeover of cable and streaming (and maybe the last great mockumentary after slew of hits like The Office and Parks and Recreation while the gene was in vogue), 24 episodes of sustained excellence per season, a big ensemble cast, and multiple star-making turns. We've watched the child actors grow up. New Lily and Joe grew on me as time went on, assigned funny one-liners. The earlier seasons have become iconic in syndication. There were some less funny bits in the later seasons, but I always appreciated its Shakespearean sense of comedy, relying on miscommunication and mistaken identity. The writers balanced comedy and emotion nicely.

Modern Family came at a time when Obama was newly elected president. And in the intervening years, Obgerfell v. Hodges legalized gay marriage across the country. Mitch and Cam had their own wedding in the show. What Will and Grace did for our society's acceptance of gay men, Modern Family has done for a gay couple. It normalized a non-traditional, wholly modern, and newly socially acceptable family. And several seasons in, Trump became president. And progress was not only halted but our society regressed. Modern Family never really reckoned with that new reality. Rather than recognizing this as a fault, it actually provided some reprieve from the infuriating reality that we live in. TV had the power to change the way people think in the days when we had network shows that everyone was familiar with. In the golden age of television when there is simply so much quality programming, I'm afraid these impactful cultural touchstones get lost in the inundation.

Chef (2014)

It's delectable. This is simply a faultless feel-good comedy.  You can't go wrong with a movie about food!  Rachel Ray is always talking about a future in which there exists the smell-evision.  This film left me also wanting taste-evision.  Not only does it look like it tastes good, but the food genuinely looks good. Points for plating.

Jon Favreau leads a star studded cast.  I particularly enjoyed the supporting cast, especially John Leguizamo. Along with the Latin jazz soundtrack and Miami setting, he adds to the fun, Latin atmosphere of the film.

This is a very modern film.  Food trucks are the latest craze and the movie also highlights the power of social media.  Because of this, the film feels fresh even though the idea is not so original (man loses job, reinvents himself).