The Aftermath (2019)

I'm usually a fan of romantic movies in which it doesn't work out. But the ending of this movie just really didn't work for me, spoiler alert. The movie is not nearly as tantalizing as it thinks it is. It has about enough content for the trailer, and that's about it. The daughter's subplot is neither interesting nor does it really add anything to the story. Keira Knightley is divine but her character is not likable. None of the characters are very likable for that matter. Points for the sound though...you hear the heartbeats? And points for costumes, those sweaters.

Serenity (2019)

One minute into the movie, I went "Oh damn, is this a fishing movie?" I walked in knowing nothing about this movie. And I was not ready for a fishing movie. This turned out to be much worse than a fishing movie. There is a small nugget of inspiration in the idea but it's done so poorly. It could have had interesting things to say about free will and consciousness but it doesn't go there. The writing is god awful. And the acting by ACADEMY AWARD WINNERS is embarrassing; they must have paid Anne Hathaway and Matthew McConaughey quite a bit of money. This has The Room written all over it. Maybe one day this will become a cult classic known for being bad.

First Man (2018)

Damien Chazelle is our American wunderkind. In many respects, he shares similarities with Xavier Dolan, the Canadian counterpart. They even kind of look alike. Chazelle takes a page out of Dolan's book with a format change a la Mommy. Except when Dolan does it, it's pretentious and forced, we watch a box format for the whole length of the movie so he has the chance to stretch it out in one scene. Chazelle does it more seamlessly, and with better finesse. The moon landing scene is filmed in glorious IMAX 70mm, while the rest of the movie is on beautiful grainy 35mm or 60mm. Film ain't dead.

Linus Sandgren's cinematography is breathtaking accompanied by Justin Hurwitz's hypnotic score. What's really extraordinary is how intense this movie is. Much like Chazelle's brilliant Whiplash, he manages to make something that is not obviously intense unbearably intense. Despite knowing how it's going to turn out, it is still exciting. We are fully immersed in the space missions, with the shaky cameras, close-up shots, and thrilling soundscape. We feel the anxiety that Gosling's enigmatic Neil Armstrong does when a mission fails. At the end of the day, it's not actually about the moon landing. It's a character study on the Armstrongs (yes, Janet too), one of whom happens to go to the moon. Ryan Gosling and Claire Foy are both excellent.

Mudbound (2017)

Wow, what a heartbreaking movie. It's really well done. The time jumps in the story line are really cleverly executed. It's not always immediately obvious until it cuts back to where we had left off. The cinematography is stunning. Downtrodden rural Mississippi is pretty devastating for everyone, black and white, but you know the African Americans have it way worse. The juxtaposition of life in the Jim Crow South with war-torn Europe is night and day for the African American soldiers. This tale of coming home from war is poignant and devastating and exactly what we need. Discrimination in this country still remains abysmal. Dee Rees does an excellent job assisted by strong performances by Carey Mulligan, Jason Mitchell and Mary J. Blige. 

Everest (2015)

Everest is a film about torture.  These mountaineers inexplicably put themselves through misery for a steep $65,000 per summit. Climbing the highest mountain in the world does not look like fun. It is unbearably cold, the air is inhumanely thin, and everyone is perpetually exhausted.  I thought Jake Gyllenhaal would have a larger part in the movie, but he was hardly in it.  The visuals are incredible though.  You actually feel as miserable as the trekkers and you feel like you're on the side of the mountain.  You feel the snow pouring down as it becomes more difficult to breathe.  It is a truly immersive experience that probably would've been great in IMAX. Nothing ever goes right in the expedition doomed to fail.  It is a dangerous adventure disaster movie.  And it is done quite well. One of the scariest moments is crossing a ladder bridged across a deep crevasse in the ice.  It is a flimsy looking ladder and there is nothing protecting them from falling down into the depths.  The aerial shot over the bottomless pit is a dizzying visual.  These are some terrifying shots.

Dawn of the Planet of the Apes (2014)

Dawn of the Planet of the Apes really stepped up the storytelling in this latest installment of the classic franchise.  It is thoughtful and intelligent and it sustains this level of brilliance throughout the two hours. The apes are complex in their emotions and their rationales. The human element of these apes is actually quite moving.  The audience really comes to care about these characters.  This all leads to a wholly satisfying ending that is perhaps not the happy one that you want, but the rational one that makes sense for the warring tribes of humans and apes.  This is a summer blockbuster that was not just pure action (though the culminating battle sequence is excellent).

The visual effects are stunning as usual.  Andy Serkis as Caesar is simply captivating.  It is a joy to just watch his expressions, which is an impressive feat itself.  He gives some brilliant speeches with genuine ideas about leadership that may apply to humans or apes.  That is what is so great about the genre of science fiction.  The premise may be so impossible, but the application to our own world is apparent and striking.