This Chinese classic is one of the best martial arts films I have ever seen. The choreography is complex, fast-paced and mesmerizing. Action choreographer Yuen Wo Ping is returning to direct the sequel. It is very impressive that these actors do their own fighting sequences. Attached to invisible strings, the actors fly through the air in fantastical chase sequences. Consider this film an introduction for the western world to the Chinese wuxia genre, which follows the adventures of heroic martial artists in ancient China. And a good one at that, mostly free from the cheesiness that westerners might perceive from Asian films. As an introduction to China, the film does an unusual tour of the vast country, from the well-known regal courtyards of Beijing to the lesser-known barren deserts of China's western region, to the majestic temples of the mountains straight from a painting.
The story is not particularly unique, but it is engaging and under Ang Lee's direction, the story is told beautifully. Lee creates a grand fantastical world full of wonder, supported by very likable characters in Chow Yun-fat and Michelle Yeoh. Tan Dun takes traditional Chinese sound and gives it searing melodies and a driving force in Yo-Yo Ma's beautiful cello solos. Altogether, Lee strikes a perfect balance between action, emotion, beauty and substance.
The story is not particularly unique, but it is engaging and under Ang Lee's direction, the story is told beautifully. Lee creates a grand fantastical world full of wonder, supported by very likable characters in Chow Yun-fat and Michelle Yeoh. Tan Dun takes traditional Chinese sound and gives it searing melodies and a driving force in Yo-Yo Ma's beautiful cello solos. Altogether, Lee strikes a perfect balance between action, emotion, beauty and substance.
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