This biopic is excellent, thanks to an incredible vision by Danny Boyle, a great script by Aaron Sorkin, and some phenomenal acting from Kate Winslet, as well as Michael Fassbender and Seth Rogen. This movie shines where the other Jobs biopic from a couple years ago failed. Danny Boyle made a movie that is the Apple of biopics--it is sleek and gorgeous.
The structure of the film is brilliant. The biopic is not over ambitious, it does not seek to cover an entire life. Rather it focuses on just three major product launches in 1984 (Macintosh), 1988 (NeXT) and 1998 (iMac), the ones that Steve Jobs was so famous for. But what is so brilliant is the pacing of the movie. It is not about the launch itself, but actually the half hour before each launch when Jobs was preparing for his presentations. Anticipation and excitement builds until the point we've all been waiting for as if we were at these product launches, and then Danny Boyle skips the presentation itself. This allows for a huge release, letting the audience take a deep breath to prepare for two more product launches.
Each product launch is split into four parts. At each launch, Jobs has encounters with his daughter Lisa, co-founder Steve Wozniak, CEO of Apple John Sculley and Andy Hertzfeld from the original Mac team. Lisa gives us a window into Jobs's personal life outside of work at three points in his life. And the film actually ends with Lisa, humanizing Steve Jobs as a person with a family, not just the visionary businessman. Jobs's confrontations with Wozniak highlight the interesting dynamics of one of the most important partnerships of the twentieth century. Through Jobs's conversations with Sculley, we learn about Jobs's background as an adopted child and Jobs at Apple. The film opens with Hertzfeld being berated by Jobs in an excellent scene dictated by an exhilarating rhythmic beat moving in the background. And throughout the film, Kate Winslet's Joanna Hoffman is always there at his side with a leading-amount of screen time and she is phenomenal.
Boyle does not shy away from painting a portrait of a controversial albeit legendary figure, who was allegedly very difficult to work with. Boyle mentions (with some snark) all of the criticisms of Apple computers as Jobs's doing. While it was clear that Jobs did not have the spirit of an engineer, he was a businessman and an artist. Perhaps the most direct criticism came from Wozniak who says "What do you do?" Wozniak was the tech genius but Jobs had the vision, he was the "conductor."
I got to see an advanced screening of this movie at the AMC Lincoln Square!
The structure of the film is brilliant. The biopic is not over ambitious, it does not seek to cover an entire life. Rather it focuses on just three major product launches in 1984 (Macintosh), 1988 (NeXT) and 1998 (iMac), the ones that Steve Jobs was so famous for. But what is so brilliant is the pacing of the movie. It is not about the launch itself, but actually the half hour before each launch when Jobs was preparing for his presentations. Anticipation and excitement builds until the point we've all been waiting for as if we were at these product launches, and then Danny Boyle skips the presentation itself. This allows for a huge release, letting the audience take a deep breath to prepare for two more product launches.
Each product launch is split into four parts. At each launch, Jobs has encounters with his daughter Lisa, co-founder Steve Wozniak, CEO of Apple John Sculley and Andy Hertzfeld from the original Mac team. Lisa gives us a window into Jobs's personal life outside of work at three points in his life. And the film actually ends with Lisa, humanizing Steve Jobs as a person with a family, not just the visionary businessman. Jobs's confrontations with Wozniak highlight the interesting dynamics of one of the most important partnerships of the twentieth century. Through Jobs's conversations with Sculley, we learn about Jobs's background as an adopted child and Jobs at Apple. The film opens with Hertzfeld being berated by Jobs in an excellent scene dictated by an exhilarating rhythmic beat moving in the background. And throughout the film, Kate Winslet's Joanna Hoffman is always there at his side with a leading-amount of screen time and she is phenomenal.
Boyle does not shy away from painting a portrait of a controversial albeit legendary figure, who was allegedly very difficult to work with. Boyle mentions (with some snark) all of the criticisms of Apple computers as Jobs's doing. While it was clear that Jobs did not have the spirit of an engineer, he was a businessman and an artist. Perhaps the most direct criticism came from Wozniak who says "What do you do?" Wozniak was the tech genius but Jobs had the vision, he was the "conductor."
I got to see an advanced screening of this movie at the AMC Lincoln Square!
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