I didn't really like it while I was sitting in the Laura Pels Theater, but Merrily We Roll Along has grown on me as time has passed the more I think about it. The story is beautifully bittersweet. It makes you wonder what was going on in Sondheim's life at the height of his career that he wrote such a downer. He claims that Opening Doors was the only autobiographical song he ever wrote, but are we really to believe that a musical about composers isn't personal? Maybe he was longing for a collaborator. The music is very Sondheim and quite beautiful: Merrily We Roll Along, Opening Doors, Old Friends, Like It Was, Not a Day Goes By...but I hate the ending. Our Time is awfully cheesy.
This off-broadway production features just six actors in what appears to be a prop warehouse of a set. The small cast makes things a little confusing as all the actors play multiple roles, and sometimes you can't quite tell if they're playing the main character or a supporting character. The whole backwards structure can be a little difficult to follow but it is an innovative way to tell a story. If I had known from the beginning that that was how it was going to be, I might've paid closer attention to the opening scene, because by the time we got to the end I forgot what they had said.
This off-broadway production features just six actors in what appears to be a prop warehouse of a set. The small cast makes things a little confusing as all the actors play multiple roles, and sometimes you can't quite tell if they're playing the main character or a supporting character. The whole backwards structure can be a little difficult to follow but it is an innovative way to tell a story. If I had known from the beginning that that was how it was going to be, I might've paid closer attention to the opening scene, because by the time we got to the end I forgot what they had said.
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