I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Monday, May 18, 2026
Ragtime (2026) (Broadway)
Ragtime may just be the best musical of the year. though it may not be the most enjoyable. Terrence McNally's adaptation is a staggering epic. It's quite the downer for 2 hours and 50 minutes. Made all the more depressing because it's realistic. It holds a mirror up to our society, like the end of Cabaret, forcing us to confront America in all its glory and mess, not just at the turn of the century but today. The show follows three families: a black community in Harlem, Jewish immigrants in the Lower East Side, and an upper-crust white family in New Rochelle. They weave in and out of each other's stories, representing the great melting pot that is America. There are real historical figures in the show, appealing to the history nerd in me. "Make Them Hear You" is sort of equivalent to "History Has Its Eyes On You" from Hamilton, making the show about the study of history itself. The melodies are lush if not exactly memorable. Joshua Henry's voice is like magic so full and deep when he sings "Sarah, come down to me" I felt goosebumps. He even has a soliloquy about his his son's future similar to Henry's rendition of Soliloquy in Carousel though I think this music suits his voice better.
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