I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Jasmine Amy Rogers. Show all posts
Showing posts with label Jasmine Amy Rogers. Show all posts
Tuesday, September 22, 2026
School Girls; or the African Mean Girls Play (Broadway) (2026)
Following the successful run of Jaja's African Hair Braiding on Broadway last year, Manhattan Theatre Company revived another Jocelyn Bioh play. Pleasant surprise, there was a discussion after the show with the playwright and director, now in their second collaboration. You know I love a Q&A. And I especially loved hearing about how the reception has changed over time, ten years after its original run Off-Broadway. We have different sensibilities now and so people laugh or sympathize with certain lines in new ways. The show is very funny. The girls are so mean. The accents are so good. It's especially jarring when Patina Miller arrives and she has this unplaceable accent that's not really African and nor really European or American. The show touches on colorism, racism, classism, fat-shaming and high school girls being teenagers. Remember Mean Girls features a white Lindsey Lohan from Africa? Well this play has a light-skinned black Jasmine Amy Rogers (who is extraordinary) from America recently moved to Ghana. The lead cast is stacked but the supporting cast is actually who really stood out. The supporting characters are all so quick-witted, they react to each other, and in their accents they sing-song rhythmically their one-liners. Wonderful show, go see it!
Monday, March 30, 2026
The Wild Party (2026) (Encores!)
Almost immediately you see why this show isn't often revived. We're introduced to one of the main characters, Burr, in blackface doing a minstrel performance. I couldn't really tell from way up in the balcony but in this production both Queenie and Burr are played by black actors passing as white, in comparison to the original production when they were played by the very white Toni Collette and Mandy Patinkin. Oh and there's a black character named Black. So it kind of lost me. If you can get past all that, the show unfolds over the course of one debauched night of partying with Prohibition bathtub gin devolving into an orgy of sorts. The show actually might work as a Safdie brothers Jewish anxiety movie (the show actually features a Jewish producer seeking to change his name to hide his heritage). There's just so much happening on stage for 2 hours, no intermission--lots of blocking and background choreo. The whole first half of the show is one song after another introducing each character; I quickly lost track. I assumed the show actually had no plot because there was nothing happening for so long as partygoers just kept arriving. Almost the whole show is sung through, or sort of spoken-sung over background jazz music. The band was great, featuring just three violins, but a banjo and an extensive brass and percussion section. I liked the set, all laid out in front of us without walls but clearly featuring three distinct rooms (bedroom, bathroom, and the main living room/kitchen).
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