The Bear (FX/Hulu) (2022-6)

At its best, The Bear was the best thing on TV. It was intense to a level TV had never seen before, like watching a Safide Brothers movie about the fine dining scene in Chicago. In an era of binge watching, you couldn't sit through multiple episodes of The Bear. You needed a break from all the yelling and cursing. And in the years since, The Pitt has adopted its style, and perhaps improved upon it by being a little more bingeable. Even when stressful TV has sort of fallen out of fashion otherwise in these stressful times when people are looking for more peaceful optimistic leisure TV like Ted Lasso. 

The heights of The Bear is season 2, namely the standout episode "Fishes" that won Emmys for Jon Bernthal and Jamie Lee Curtis fresh off Everything Everywhere All at Once. Other highlights included the love for Chicago, the supporting character-centric standalone episodes, the needle drops (Can't Hardly Wait in Pop), the spectacular guest spots, the food porn, the editing, and the star-making turns from Ebon Moss-Bachrach and Ayo Edebiri. It lost its way a little bit in Season 3 and 4--less engaging, less demanding, generally less interesting, kind of depressing. But Season 5 brought the series to a fitting, uplifting finale. It has a much smaller focus, taking place all basically in a day, focused on one stressful dinner service. And in the end we get to see these characters on the verge of suicide finally smile again and find some peace. 

The Winter's Tale (2026) (The Public Theater)

In my first return to the Delacorte since the renovation (following the blockbuster production last summer we couldn't get tickets to), the theater actually looks largely the same. After all that, they could have added a roof, because it was a rainy night. It rained on and off, light drizzle to a downpour in intermission. And you're not allowed to use an umbrella during the show. You need a good poncho. Not as fitting as when we saw the Tempest, but there is a storm scene at the end of Act I during which it did start raining. We had great seats at the back of the middle section, with no one next to us or in front of us, scared away by the rain. We actually had a little overhang shielding us from the control booth. One of the actors even slipped in the rain. The seats are still super uncomfortable. But beautiful space. 

I had no familiarity with this less frequently performed Shakespeare play. It runs way too long, at nearly 3.5 hours. There are many scenes that play out like a final scene, but then it keeps on going and going. It is neither a tragedy nor comedy nor history play. I guess it's kind of a comedy since it ends in marriage, but it's not really funny. The first act actually plays out more like a tragedy, ending in death. It's all the more jarring that the second act opens with a pastoral scene after that. It's a dialogue heavy play, with not much action or scenery to speak of. And the dialogue is not super easy to follow or understand and it's kind of boring. Act II fast forwards sixteen years but had I not read the synopsis that probably would have been lost on me. There is a small four-piece band that accompanies the cast out of sight. They're the best part.