Tim Burton's latest is a little out of the norm for him. Tim Burton's dark and creepy aura is seen only in the paintings of Margaret Keane. The little children with the big eyes are inherently spooky and yet full of emotion. There is only one scene that really evokes what we expect from a Tim Burton movie, and that is when Margaret starts seeing real people with her signature big eyes. The other dark element to the movie is Lana Del Rey's haunting songs. Otherwise, the film is quite bright, certainly not cheery, but bright. The atmosphere captures a genuine sense of 1950s Northern California.
I do think the courtroom scene towards the end is a little awkward. Waltz as his own attorney makes for an unusually comical scene in an otherwise dramatic film. I cannot be sure if that actually happened in real life, but the point is that it abruptly culminates in the infamous paint-off.Amy Adams is excellent as always as the secretive artist Margaret Keane. Christoph Waltz as her husband is a fantastic foil. Amy Adams is one of the best actresses out there, and yet, the perennial bridesmaid, she has zero Oscars to show for it. Waltz, on the other hand, has two. Both give award worthy performances, but unfortunately the film failed to rack up any nominations.
I do think the courtroom scene towards the end is a little awkward. Waltz as his own attorney makes for an unusually comical scene in an otherwise dramatic film. I cannot be sure if that actually happened in real life, but the point is that it abruptly culminates in the infamous paint-off.Amy Adams is excellent as always as the secretive artist Margaret Keane. Christoph Waltz as her husband is a fantastic foil. Amy Adams is one of the best actresses out there, and yet, the perennial bridesmaid, she has zero Oscars to show for it. Waltz, on the other hand, has two. Both give award worthy performances, but unfortunately the film failed to rack up any nominations.
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