Jon Bernthal gives a career best performance as Wayne Jenkins. There's something about him that just screams dirty cop. He has the brashness and charisma and bro-eyness. It's spot on casting. And his bawlmer accent is excellent. The time jumping is a little confusing, but it allows all the angles to unfold at once: the police, the FBI investigation and the DOJ consent decree. We see the police stops happen in flashback, and then relive them as the FBI investigates them, and then again as the DOJ gathers evidence for its own work. You can't look away; the miniseries is transfixing.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Sunday, April 23, 2023
We Own This City (2022)
We Own This City has been described as a spiritual sequel to The Wire, which ran from 2002-2008. David Simon is the great chronicler of the American city. Simon and George Pelecanos return to Baltimore to follow up on the state of the police and the effect the killing of Freddie Gray. had on our beloved city. It's a damning critique of the Baltimore Police Department as an institution and the War on Drugs that bred it. It may come off as preachy at times, but that's because they're willing to speak the hard truths that no one else will. And yes, sometimes they need to be said out loud. It manages to be both aggravating and absolutely devastating. It makes you feel defeated, that the problems we face in this country are just so insurmountable under the weight of our broken and corrupt institutions.
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