Sunday, June 14, 2015

Gigi (1958)

This movie musical won the Oscar for Best Picture back in 1958, along with all eight other awards for which it was nominated, which was a record at the time. Ben-Hur won eleven the next year.  And in 1987, The Last Emperor tied Gigi for most wins in every category for which it was nominated for (until The Lord of the Rings: Return of the King swept the 2003 Oscars with eleven statues).  The Last Emperor would also be the next film to win Best Picture without any acting nominations.

My first critique has to be about the music.  Andre Previn's instrumental score is gorgeous.  But as far as Lerner and Loewe music goes, it falls short.  The singing is mostly rhythmic talking.  While the underlying instrumentals have a melody, most of the lyrics are not melodic.  The title song "Gigi" is probably the best one but the opening number "Thank Heaven for Little Girls" is underwhelming and the lyrics are a little creepy sung by the aging Maurice Chevalier.  The framing is a little awkward too, with Chevalier smack in the center of the shot sitting still just staring into the camera.  His is the only character that breaks the fourth wall at the beginning and end of the film to introduce the scene and to close the story.

The actors all put on French-ish accents, but to me they all sound quite different. Chevalier's accent sounds the most traditionally French.  Leslie Caron and Louis Jourdan both sound kind of stuffy and maybe a little more British than French.  And they all live a stereotypical French lifestyle.  Caron plays a quirky, awkward, and naive girl that sort of flails around.  The premise is that her grandmother and great aunt have the immense task of taming her and transforming the clumsy Gigi into a lady.  It happens in the end rather suddenly, seemingly missing something in the middle.  The movie is also pretty blatantly sexist to a modern viewer, reinforcing gender roles and subverting Gigi's sense of freedom.  There's not too much depth to the story; it's rather light and predictable.

Lastly, what the film does best is in the art.  The movie makes great use of the French scenery. And the lavish sets and costumes are beautifully extravagant, notably Gigi's red themed apartment.    

The Maze Runner (2014)

The latest dystopian teen drama based on a book series has an intriguing premise.  A group of teenaged boys is trapped in the center of a giant maze and a few designated runners are tasked with mapping the maze to find an exit.  Immediately the audience is thrust into this world with Dylan O'Brien as Thomas knowing just as little as he does.  Is this some social experiment, or sadistic torture, we have no idea.  Who is he--well, not even Thomas can answer that.  Its one downfall is that this is just the first in a series of films and so it answers very few questions and leaves the audience wondering.  This movie is missing some closure, though I suppose if the goal was to leave me wanting more then they succeeded in what the latest Hunger Games movie failed to do, entice me.  The grievers are fantastic creations as part-robot, part-scorpion monsters.  And the most refreshing thing this movie has to offer is diversity.  Though the protagonist is a white male, the leader of the community is black, and the leader of the runners is Korean.  They both have roles with plenty of lines and authority and their characters kick ass.   

Magic in the Moonlight (2014)

It is not Woody Allen's finest movie.  The premise is not entirely enticing.  Colin Firth plays a magician who is attempting to defraud Emma Stone as a mystic.  The story is kind of silly and I had a tough time investing in any of the main characters, though Hamish Linklater's rich yet lovelorn singer is kind of funny.  All the action, or lack of action, takes place in the majestic French Riviera as Allen continues to make non-New York films in his later years.  He also continues to make romantic comedies featuring upper class older men and younger women, perhaps a bit of art imitating life.  Colin Firth is a good actor, and he carries the movie.  Emma Stone retains her quirkiness in this role and her wide eyes are fitting for a psychic.  She will get another go at a Woody Allen film later this year. Hopefully she will have some better writing to work with.       

Thursday, June 11, 2015

You Can't Take It With You (1938)

This best picture winner by director Frank Capra is based on the Pulitzer prize-winning play of the same name.  The majority of the action takes places in a large house owned by Grandpa Vanderhof that houses a strange variety of eccentric family members that do whatever they please.  The family includes a wannabe ballerina, an aspiring accidental playwright, and a fireworks manufacturer.  This family is all about having a positive, happy life doing what you love with your friends and that money does not buy happiness as the greedy villainous banker finds out.  I suspect this was a refreshing message back in 1938 during the Depression.  Frank Capra was supposedly known for making movies about themes such as this one in this era.  Although the movie is a comedy, it is not laugh-out-loud funny.  But it is still a charming story that has its moments that made me smile.

Friday, June 5, 2015

The Tonys 2015

This is an exciting year for the Tonys with some close races.   Fun Home and An American in Paris lead with twelve nominations each.  Finding Neverland, the Harvey Weinstein backed production, received no love from voters (Weinstein isn't used to that).  Alan Cumming, fresh off of his Tony-winning run in Cabaret, is sharing hosting duties with Kristen Chenoweth, who is nominated for her role in On the Twentieth Century. The two of them will surely have a fun show.  I have only seen one of the nominees so far, On the Town, but here goes nothing:

Best Play
Will win: Curious Incident of the Dog in the Night-Time
Watch out for: Wolf Hall Parts I & II

Best Musical
Will win: Fun Home
Watch out for: An American in Paris

Best Book of a Musical
Will win: Fun Home
Watch out for: Something Rotten

Best Musical Score
Will win: Fun Home
Watch out for: The Last Ship

Best Revival of a Play
Will win: The Elephant Man
Watch out for: Skylight

Best Revival of a Musical
Will win: The King and I
Watch out for: On the Town

Best Actor in a Play
Will win: Alex Sharp (Curious Incident of the Dog in the Night-Time
Watch out for: Bradley Cooper (The Elephant Man)

Best Actress in a Play
Will win: Helen Mirren (The Audience)
Watch out for: Ruth Wilson (Constellations)

Best Actor in a Musical
Will win: Michael Cerveris (Fun Home)
Watch out for: Biran d'Arcy James (Something Rotten!)

Best Actress in a Musical-- the closest race
Will win: Kelli O'Hara (The King and I)
Watch out for: Kristen Chenoweth (On the Twentieth Century)
Also watch out for: Chita Rivera (The Visit)

Best Featured Actor in a Play
Will win: Nathaniel Parker (Wolf Hall: Parts I & II)
Watch out for: Micah Stock (It's Only a Play)

Best Featured Actress in a Play
Will win: Patricia Clarkson (The Elephant Man)
Watch out for: Sarah Stiles (Hand to God)

Best Featured Actor in a Musical
Will win: Andy Karl (On the Twentieth Century)
Watch out for: Christian Borle (Something Rotten!)

Best Featured Actress in a Musical
Will win: Judy Kuhn (Fun Home)
Watch out for: Sydney Lucas (Fun Home)-- she's only 11!

Best Director of a Play
Will win: Marianne Elliott (Curious Incident of the Dog in the Night-Time)
Watch out for: Jeremy Herrin (Wolf Hall: Parts I & II)

Best Director of a Musical
Will win: Sam Gold (Fun Home)
Watch out for: Bartlett Sher (The King and I)

Best Choreography
Will win: Christopher Wheeldon (An American in Paris)
Watch out for: Joshua Bergasse (On the Town)

Best Orchestrations
Will win: An American in Paris
Watch out for: Fun Home

Best Scenic Design of a Play
Will win: Curious Incident of the Dog in the Night-Time
Watch out for: Wolf Hall: Parts I & II

Best Scenic Design of a Musical
Will win: The King and I
Watch out for: An American in Paris

Best Costume Design of a Play
Will win: Wolf Hall: Parts I & II
Watch out for: The Audience

Best Costume Design of a Musical
Will win: The King and I
Watch out for: An American in Paris

Best Lighting Design of a Play
Will win: Curious Incident of the Dog in the Night-Time
Watch out for: Wolf Hall: Parts I & II

Best Lighting Design of a Musical
Will win: An American in Paris
Watch out for: Fun Home


Update: I scored 18/24.  I went 0 for 4 in the featured acting categories, but to be fair they were all toss ups.  Fun Home and Curious Incident of the Dog in the Night-Time were the big winners with five wins each, including the top prizes.




A Trip to the Moon (Le Voyage dans la Lune) (1902)

This 1902 silent French classic is a landmark in world cinematic history.  The movie was lost and rediscovered in the late 1920s when Melies's importance was recognized.  In 1993, a hand-colored print was found incomplete and it is this version that was restored and screened at Cannes in 2011.  The black-and-white prints were colored by hand to fill in the missing scenes.  To be honest, the coloring was a little distracting, kind of trippy as the shades kept changing ever so slightly.  The restoration also features strange music by the French band Air, which is very twenty-first century.  It did not match 1905 at all, but it did fall in line with the psychedelic colors.  I also saw the pure black and white version, featuring a piano score and some awkward narration.

What is the significance of this film? It pioneered entertaining narrative storytelling in film,  primitive special effects, expensive production value, and "long form" movies (~15 minutes).  The most famous scene is one in which the camera seemingly zooms into a moon with a face.  The special effect is a mechanical rigging system in which he moved the moon toward the camera.  Some substitution splicing lets the capsule rocket ship magically/fantastically appear in the moon's eye.  This is all brought together by a very overly theatrical cast that sort of scrambles about the set in a comical fashion. All filmmakers owe everything to Melies and this film.

Monday, June 1, 2015

Dear White People (2014)

Justin Simien's debut film is not as funny as I was expecting--to be sure, it is a comedy-drama, mostly drama.  And I think that is a bit of a detraction from the film.  At times in the middle, the movie takes itself a little too seriously.  Granted, this is serious material, but some of these dialogues are a little too blunt and soapbox-y. Maybe Simien is a little too intelligent, assuming his audience is at the same level.  Most of the movie, however, is very tactful in getting its message across.  That message is very important and much needed.  Race is a touchy subject in this country, but Simien stares unflinchingly at this issue and confronts race in the context of our top universities.  Simien is brutally honest about the systemic racism that pervades our population.  Simien's message is helped along by a strong cast.  Tyler Jesse Williams is perfect as a black homosexual student and Tessa Thompson is excellent as a charismatic student activist and host of "Dear White People," a campus radio show that just might be what our schools need in 2015.