Fred Armisen: Standup for Drummers (2018)

Only Fred Armisen could make this work. It's probably the most niche standup show I've ever seen. The title is quite literal. These bits are made by a drummer for drummers. And they're not naturally funny bits, but he makes them funny because he's so awkward and self aware. He somehow makes these drumming bits accessible to non-drummers too, making me smirk and smile at his short seconds long impressions that I have no particular references for. He does a bit going through accents across America, just words, hardly a full phrase per accent, but he's just so strange that he's funny.

Venom (2018)

In the Marvel Cinematic Universe, no one takes themselves too seriously. This movie never really strikes the right tone. The concept is so absurd and yet no one seems to appreciate that. It is only mildly tempered with some humor towards the end that is not even all that funny. This movie is Venom's origin story. It is unclear for a very long time what Eddie Brock has to do with the opening scene in Malaysia. We never really get a proper explanation of what the alien life forms want. Nor does it really matter. Because the focus of Venom's origin story is surrounds Elon Musk--I mean Carlton Drake. Tell us what you really think about that psycho. Also, they make such a big deal out of how difficult it is to find a suitable host that could survive the parasite bonding. Then halfway through the movie, they never have this problem again. We were initially led to believe that there was something special about Eddie that he was able to bond perfectly, but then all of a sudden, everyone can bond. The dialogue is really bad, Tom Hardy is OK, and the visual effects are kind of neat.

A Simple Favor (2018)

I remember when the trailer first came out. My immediate reaction was "Wow Henry Golding is in a second Hollywood movie already? And he's married to Blake Lively? That's a pretty big deal." But my second reaction was that it looks like Gone Girl. Then I scrolled down to the Youtube comments and they were saying "Don't be deceived, it's nothing like Gone Girl." Lo and behold, now that I've seen the movie, it is very much like Gone Girl. My biggest problem with the movie is that the motivations are unclear. There are no motivations except craziness. Gone Girl has more motivation than that but the underlying drive is just her being crazy. I'm sort of confused and it bothers me a little. In retrospect, it's sort of weird that Anna Kendrick is the protagonist because she is totally external to the central plot. She actually plays the sleuth. I was sort of mislead into thinking she had more to do with the motive or maybe she was a scapegoat, but this has nothing to do with her.

It's a dark comedy, comedic in that it's absurd. I did actually laugh out loud at the absurdity, which does at times come off as fun because it takes itself pretty seriously. Even the music is funny. The glamor of suburban Connecticut is represented by French music, while her trip to New Yorker is accented by Latin music. Speaking of glamor, Blake Lively is gorgeous. The costumes on her are absolutely stunning. Oscar for the costume designer.

The Sisters Brothers (2018)

I'm not a big fan of westerns. Correspondingly, I sort of fell asleep a little bit in the middle. But it's not just a western, it's a dark comedy that's actually quite funny. It's so absurd that it's kind of funny. The cinematography is beautiful. The acting, from John C. Reilly especially (and I like Riz Ahmed), is a delightful surprise. But the best part about this movie is Alexandre Desplat's soundtrack. It's exciting and western and rhythmic and intoxicating.

The Wife (2017)

Glenn Close is divine in a role that will finally win her an Oscar. Her quiet composure is so powerful. The story is simple yet brilliant and the execution is excellent. The narcissistic novelist Joe Castleman has won the Nobel Prize in Literature and he brings his son and wife Joan to Stockholm. Close's performance manages to capture decades of marriage in her performance. Glenn Close's daughter plays younger Joan allowing us to see how their relationship developed.  The allegation is that Joe's novels were actually written by Joan. How dramatic is that?

Ryuichi Sakamoto: Coda (2017)

This documentary is just a bit too long. It's quite beautiful but I fell asleep it was so long and kind of slow (sort of Japanese-style slow). Ryuichi Sakamoto is a legend. His music is stunning--the soundtrack to . And his career is very impressive, not just as a composer but as an actor, music star, activist, etc.

Ocean's 8 (2018)

A pretty clever heist movie, albeit unrealistic but it's still quite a bit of glamorous fun. Sandra Bullock plays the lead but among this star studded cast I think she gets outshone. Actually, though they're all good, none of them really get that opportunity to truly shine. Except Cate Blanchett. She could do anything. She commits herself to playing thief as she does to playing royalty or playing an elf.