Creed II (2018)

Boxing may be the most solitary sport other than tennis (or maybe diving?). In boxing, you minimally have your team in your corner (Serena Williams learned at the last US Open that you you do not have your team in your corner, in spectacular fashion). But otherwise it is just you in the ring dueling your opponent. That's why I find it so curious that boxing movies are traditionally not about solitude but family and relationships.  The hyper masculine topics of boxing and cars (a la Fast and Furious) center around family. And that's what makes them interesting. It humanizes their subjects, the brutish and self-destructive journeymen (think Raging Bull).

Creed II cannot avoid the elephant in the room, that is the iconic status of Rocky. Perhaps no other movie in American history is so emblematic of a city. Without having to properly explain why, the audience inherently understands why Rocky cannot leave Philadelphia. Drago's first stop in the US is naturally the iconic steps at the Philadelphia Museum of Art. The shot opens with the statue, arms raised, and a tracking shot of tourists following Rocky's path running up the steps. The self-reference only works because Rocky has indeed achieved iconic status in our culture.

Creed II was not directed by Ryan Coogler, but Steven Caple Jr. steady hand does a fine job with enough style and pizzazz and tracking shots to satisfy the eyes. Boxing is visceral and we feel that. Our first glimpse of Rocky is through a mirror in a doorway (a frame within a frame within a frame), with Creed on the far right side of the screen. And only when Rocky moves out of the mirror does the camera pan to him. Though the movie can feel predictable at times, it is well done, engaging, emotional and ultimately enjoyable. Michael B. Jordan is electric and Sly in his later life has discovered a penchant for hats. They suit him.

Ralph Breaks the Internet (2018)

Wreck-It-Ralph was a great movie that didn't really need a sequel but I'm quite satisfied with this. The underlying plot is deeper than a little kid could comprehend. The movie ruminates on finding meaning in life. Ralph is content doing the same thing everyday. But Vanellope is looking for something more. More familiar to children will be the internet. Kids who have grown up with the internet have an inherent understanding of what it is that the rest of us had to learn on our own. Disney visualizes cyberspace with much humor and cleverness that people of all ages can appreciate. It's hard to overlook the nonstop product placements that we are bombarded with. I'll make a small distinction between the Internet product placements and the Disney "synergies" that are written into the plot, like the Disney princesses. But it's so obvious and shameless. Despite this, the movie is fun. And the voice cast is fabulous, especially Sarah Silverman.

Secret Sunshine (Miryang) (2007)

Secret Sunshine is about grief. It's about faith. It's a bold, powerful movie anchored by a visceral performance from Jeon Do-yeon. What she conveys in just looks is as strong as the words and cries. She is such a complex character feeling a wide range of lows. There is a particularly stirring scene in a prison in which we face a murderer who has been saved. It is not her most emotional scene. But it is a turning point for her. And her blank stare we can read so much suffering. The movie goes really deep into her suffering.

Fantastic Beasts: The Crimes of Grindelwald (2018)

The movie has two things going for it. The visuals are cool. And the cast is fun. Johnny Depp plays the villain like only Johnny Depp could. That's about it cause the plot is all over the place full of holes and exposition with no payoff. We are introduced to a slew of new characters with familiar names for no apparent nor believable reason.  Remember the name Lestrange? Like Bellatrix? Well the central conflict centers around whether there are more of them. The opening scene is a prison transport gone wrong. But who would be so stupid as to hand over a wizard's wand for prison transport? And you expect me to believe that wizard transportation is so primitive as to be using carriages? Dumbledore has a seen at the mirror of erised, showing his utmost heart's desire...spoiler alert it's Grindelwald. Is this the homosexuality that Rowling has alluded to in interviews? Also what's the deal with Nicolas Flamel? There's a few too many needless references to the Wizarding World of Harry Potter.

Widows (2018)

Steve McQueen knows how to make an intense movie. Heist movies, by their very nature, are intense, but McQueen takes it to another level. Hans Zimmer's score as well as the moments of tense silence contribute to the mood. There are some gorgeous tracking shots. And Gillian Flynn of Gone Girl fame writes an engaging screenplay full of twists, grit and excitement.The plot is complex, intertwining race, power, money and gender roles. And the cast is all phenomenal.  Viola Davis is a badass.

Putty Hill (2010)

I don't think I was really paying enough attention to appreciate this movie. The pseudo documentary style is jarring, and a little off-putting (off-putty hill?). The off-screen interviewer is like an anthropologist conducting research in the field of Baltimore. And Baltimoreans are a special breed but not quite interesting enough to engage me.

Nobody's Fool (2018)

I think Tyler Perry is underrated. His movies should have appeal with a much broader audience than just the African American community they're marketed to. He proves to be entertaining and accessible. Tiffany Haddish, especially, has universal appeal. Her personality is so electric and she appears to be having so much fun on screen you cannot look away. And I, for one, think Tika Sumpter is fantastic. Now there is a pretty major plot hole towards the end with the surprise twist that not only invalidates the previous hour of film we've just seen but also doesn't make sense. But if they could have patched up this hole somehow, I dare say, the plot is near Shakespearean. Catfishing is our modern equivalent of mistaken identity, the hallmark of a Shakespearean comedy. And by the end, I think it would have been more interesting if "they" didn't end up together but it then wouldn't be a Shakespearean romantic comedy.