The Grand Budapest Hotel (2014)

Right from the beginning as the film opens with a yodel, you can tell that this film is something special.  Wes Anderson must be one of the most stylish directors out there and his storytelling ability is superb.  From his use of miniatures for wide shots, to the colorful costumes and ornate sets, Anderson gives this triumphantly fun adventure his distinctive signature stamp.  He presents an intriguing whodunnit that builds layers of mystery in a unique world of his own creation.

Ralph Fiennes is perfectly cast as the mustachioed concierge.  He delivers Anderson's trademark fast-paced, witty humor effortlessly.  Newcomer Tony Revolori shines as the dutiful young lobby boy Zero among a fantastic ensemble cast.  This movie has serious Oscar potential.  Maybe Wes Anderson will even land his first nomination for Best Picture.        

The Pianist (2002)

As a classical pianist myself, Roman Polanski's depiction of a Jewish musician struggling to survive through the Holocaust really resonated me.  The film prominently features Chopin's Ballade No. 1, a favorite of mine that I have performed in the past.  Adrien Brody plays (or pretends to play) the piece, along with other pieces by the Polish virtuoso, convincingly.

I would like to compare this film with The Lady in Number 6: Music Saved My Life, the Oscar-winning documentary short.  The documentary depicts the beauty of music amid the horrors of the Holocaust.  It was music that helped the victims persevere.  The Pianist, historically accurate, is based on Wladyslaw Szpilman's autobiography.  On the contrary, he hides in quiet, denied the healing power of music even when he sits right in front of a piano.  When he plays for the patrons of a cafe, his music is ignored.  The movie is heartbreakingly powerful--but don't mistaken it for a movie about music, it is a movie about a musician, a survivor.