Showing posts with label Jason Schwartzman. Show all posts
Showing posts with label Jason Schwartzman. Show all posts

Sunday, April 8, 2018

Mozart in the Jungle (2014-18)

Amazon took a chance on a niche show, a romantic comedy centered around the dynamic world of classical music. It is admittedly a pretty terrible show but it has its moments. I think the biggest problem was that it focused on the romance between Hailey and Rodrigo, which was decidedly less interesting than the relationship between the orchestra members. The show shone best just watching the inner workings of an orchestra, including the quirky musicians, the union issues, the funding issues, and their day-to-day struggles. Gael Garcia Bernal deserved all the praise he got, playing the Gustavo Dudamel-like conductor, a hard-to-handle musical genius. However, the protagonist was arguably Hailey, played by Lola Kirke. I found that I didn't really care about her story, which sort of revolved around the orchestra but was never within the orchestra. She eventually ditched the oboe for conducting and her conducting acting was entirely unconvincing. I understand it's hard, but she looked kind of spastic.

I binged the first three seasons within a couple days. Despite it not being great TV, it's very watchable, it goes by very quickly. It has its moments. There were some excellent episodes: Ichi Go Ichi E, The Rehearsal, You Have Insulted Tchaikovsky, and the Pilot. And there's some fun traveling episodes, in Mexico, Venice and Japan. It is a fun show, even if not a great one.

Tuesday, March 17, 2015

Big Eyes (2014)

Tim Burton's latest is a little out of the norm for him.  Tim Burton's dark and creepy aura is seen only in the paintings of Margaret Keane.  The little children with the big eyes are inherently spooky and yet full of emotion.  There is only one scene that really evokes what we expect from a Tim Burton movie, and that is when Margaret starts seeing real people with her signature big eyes. The other dark element to the movie is Lana Del Rey's haunting songs.  Otherwise, the film is quite bright, certainly not cheery, but bright. The atmosphere captures a genuine sense of 1950s Northern California.

I do think the courtroom scene towards the end is a little awkward. Waltz as his own attorney makes for an unusually comical scene in an otherwise dramatic film.  I cannot be sure if that actually happened in real life, but the point is that it abruptly culminates in the infamous paint-off.Amy Adams is excellent as always as the secretive artist Margaret Keane.  Christoph Waltz as her husband is a fantastic foil.  Amy Adams is one of the best actresses out there, and yet, the perennial bridesmaid, she has zero Oscars to show for it.  Waltz, on the other hand, has two. Both give award worthy performances, but unfortunately the film failed to rack up any nominations.