A pretty clever heist movie, albeit unrealistic but it's still quite a bit of glamorous fun. Sandra Bullock plays the lead but among this star studded cast I think she gets outshone. Actually, though they're all good, none of them really get that opportunity to truly shine. Except Cate Blanchett. She could do anything. She commits herself to playing thief as she does to playing royalty or playing an elf.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Mindy Kaling. Show all posts
Showing posts with label Mindy Kaling. Show all posts
Wednesday, October 3, 2018
Saturday, October 3, 2015
Inside Out (2015)
Much like emotions themselves, this movie is quite complex. Perhaps a little too complex for children, but if you think the target audience is children, then you don't know Pixar, which has consistently made high quality animated films that resonate best with adults who might accompany children to the theater. Pixar adds to its canon of masterpieces, and perhaps outdoes itself once and for all with this brilliant return to form after a year off. As always, Pixar finds the right balance between comedy, drama and pure emotion, never failing to illicit a tearful response or two or .several from the audience.
The premise is so novel and creative and clever. It is pure genius. It is at once a story about growing up, about memories and dreams, and about learning to grapple with our feelings, our emotions and personalities. And it does so literally from the inside out, telling stories from inside Riley's mind. It is a story that only the world of animation could bring to life. It is very beautifully animated. It uses imagination to envision what imagination looks like. It envisions an expansive library of memories sitting in storage.
The characters are extreme caricatures, all cast perfectly. Amy Poehler plays Joy, a hyped up version of Leslie Knope. Likewise, Lewis Black plays Anger, an extreme version of his own persona. But it is the character of Sadness voiced by Phyllis Smith that shares the spotlight with Joy, or stands in the shadow of Joy's aura. I really appreciated Pete Docter's attention to sadness, an emotion for which the child-minded Joy sees no use; but our emotions are complex and sadness is not an inherently bad thing, and the real heart of the film is this interplay between these two characters learning what it means to be sad and learning to embrace it.
I also think that it is great that the main character is a little girl (a la Brave). Perhaps girls are a little more in touch with their emotions at a young age. But in any case, it is important for girls to see themselves portrayed on screen, and in Pixar's fifteen productions, this is only the second to feature a female protagonist. And she plays hockey! Take that, gender stereotypes.
PS. Did you catch the reference to Chinatown? "Forget it, Jake. It's Cloudtown"
PPS. Did you see the film poster at Dream Productions referencing Vertigo?
The premise is so novel and creative and clever. It is pure genius. It is at once a story about growing up, about memories and dreams, and about learning to grapple with our feelings, our emotions and personalities. And it does so literally from the inside out, telling stories from inside Riley's mind. It is a story that only the world of animation could bring to life. It is very beautifully animated. It uses imagination to envision what imagination looks like. It envisions an expansive library of memories sitting in storage.
The characters are extreme caricatures, all cast perfectly. Amy Poehler plays Joy, a hyped up version of Leslie Knope. Likewise, Lewis Black plays Anger, an extreme version of his own persona. But it is the character of Sadness voiced by Phyllis Smith that shares the spotlight with Joy, or stands in the shadow of Joy's aura. I really appreciated Pete Docter's attention to sadness, an emotion for which the child-minded Joy sees no use; but our emotions are complex and sadness is not an inherently bad thing, and the real heart of the film is this interplay between these two characters learning what it means to be sad and learning to embrace it.
I also think that it is great that the main character is a little girl (a la Brave). Perhaps girls are a little more in touch with their emotions at a young age. But in any case, it is important for girls to see themselves portrayed on screen, and in Pixar's fifteen productions, this is only the second to feature a female protagonist. And she plays hockey! Take that, gender stereotypes.
PS. Did you catch the reference to Chinatown? "Forget it, Jake. It's Cloudtown"
PPS. Did you see the film poster at Dream Productions referencing Vertigo?
Labels:
Amy Poehler,
Animation,
Bill Hader,
Diane Lane,
Disney,
John Lasseter,
Jonas Rivera,
Kaitlyn Dias,
Kyle MacLachlan,
Lewis Black,
Michael Giacchino,
Mindy Kaling,
Pete Docter,
Phyllis Smith,
Pixar,
Richard Kind
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