Ant-Man and the Wasp (2018)

It's fine. I liked it just fine. It's breezy fun but the plot is sort of thin. Paul Rudd's character is under house arrest due to external conflicts from Avengers: Civil War. The mid-credits scene alludes to the Avengers too. But the central conflict within the film has three sides, Ant-Man vs the ghost vs a common black market dealer. The dealer's presence in the film is seemingly insignificant in the grand scheme of thing. The ghost is a sympathetic villain. But by the time we get to the resolution of the plot, we see that the antagonism between them was moot. Paul Rudd is fun though.

The Hateful Eight (2015)

I think the perfect word to describe this movie is self-indulgent. For one, it is way too long, clocking around three hours. And when your movie is so long, it can't be so slow--I kind of fell asleep a little in the middle. The story is told in several distinct chapters, which enhances the epic grandeur that Tarantino tries to evoke. And I understand that the first few set up the story, but they are too long for just setup.  There is the usual gratuitous amount of hyperbolic graphic violence and lots of inappropriate language. I'm all for free speech, but Tarantino  is a little too comfortable using the N-word. The most problematic aspect of the movie: no likable characters.

That being said the movie does some things very well. The storytelling is strong. I am surprised that Tarantino wasn't nominated for his screenplay. The story is mostly told linearly, but there is one chapter of flashback to make a crucial revelation that totally turns the story on its head. The last half of the movie is significantly better than the first. Most of the movie takes place in a single room, and we change perspectives in this one room. Some chapters also use narration, which is out of place since it is only present in some chapters, but it somehow works. The cinematography is also pretty incredible. The white snow is expansive and there is a great shot that is half pure white and half pure blue sky. But the very best aspect of this movie is Ennio Morricone's score. It is quintessentially western.