Inferno (2016)

We saw Inferno at the Cineteca di Bologna, because unlike in the rest of Italy where they dub foreign films, they show films in their original language there. They have some respect for movies there. The Cineteca is world renowned for its film restoration and its rich film archive. It's also really cheap to see a movie there. Even though it's clear on the other side of the city, it's worth going there.

Inferno opened in Italy before it opened in the US, presumably because it was all filmed in Italy. And it is very evident. The movie is basically an extended tourism commercial for Florence. And when I went to Florence a few weeks ago, I was walking around recognizing places from the movie. And it's beautiful and lovely. So...it worked!

The movie itself was alright if you can get over the whole product placement thing. I felt like there was some inconsistency with the plot. The treasure hunt clues were certainly not as airtight as National Treasure. I haven't seen DaVinci Code or Angels & Demons, but I'm going to assume those have consistent treasure maps too. Who left these clues for whom and how did we find them? Did we really need that middle clue? Then without spoiling too much, there is a big reveal at the end of the book (according to Will) that does not play out in the movie, though it is sort of hinted to if you've read the book and can pick up on it. And that reveal sort of gives some reasoning and thoughtfulness that was otherwise missing.

They also must've wasted a hell of a lot of money on special effects for the opening scene depicting Inferno. It is wholly unnecessary and adds absolutely nothing to the plot. 

Burnt (2015)

What I really dislike about this movie is that it preys on our love of food. That's how they get you to watch the movie, but it is not worth your time. Bradley Cooper is entirely unlikable as an irrational and erratic chef. It is one thing to be mean in the kitchen--we can watch Hell's Kitchen. But Bradley Cooper's chef is really unbearable, as are most all of the other characters. I don't think that's the fault of acting, rather poor development of already uninteresting characters.The beginning especially is just a series of short vignettes that seemingly come from nowhere, introducing a series of supporting characters to dislike.  I found it hard to pay attention or care. 

Jurassic World (2015)

The newest installment in the Jurassic Park series is a lot like the original. It is a solid movie, but lacks originality. It understandably introduces Jurassic Park to a younger generation unfamiliar with the original. But having seen Jurassic Park, this seemed a little too safe. Even the dinosaurs were not very imaginative. The whole premise of the movie is that the dinosaurs are genetically engineered. But they still look like dinosaurs the way we know them. Where's the creativity? I guess the Mosasaurus is kind of cool. The new, terrifying Indominus Rex looked almost indistinguishable from the T Rex to me. Spielberg's dinosaurs were so lifelike to begin with that the advancements in computer technology and special effects did not produce anything that really impressed me. The original animatronics were perhaps even scarier.

That being said, it is still a fun movie, if a little predictable. There is lots of action. I particularly liked the gyrosphere ride, that lets the park attendees roam among the dinosaurs in the safety of a hamster ball. It would make for an enjoyable real ride, and it is really cool. Chris Pratt is a very likable hero  even if just two years ago I would've never picked him for a hero-type. Michael Giacchino does a good job with the score, integrating John Williams's memorable themes into his own original music.

The Intouchables (2011)

This French film is a heartwarming and humorous variation on  Driving Miss Daisy,  though less about race and more about living a full life despite disability.  Philippe is a quadriplegic who hires Driss to be his new caregiver.  He chooses Driss, who is arguably the least qualified candidate,  because he does not want any pity.  The audience learns to not pity Philippe and to even laugh with him.  Driss is not only an employee,  but becomes a close friend.   They confide in each other,  joke with each other and expose each other to their interests.  Both actors do an excellent job and the writing is genuinely funny.