Justice League (2017)

I know when we get these superhero movies, we should expect something derivative, but this was just too derivative. There was nothing original about this. It's more than just Marvel beating them to the punch. Boxes of energy? A God-like villain? A God-like villain with an M-shaped crown? The team of superheroes? I know this is the set-up movie, but the whole thing is set-up.  That's what the individual movies were for! We don't want more intro here. The best parts of the movie are Flash and Wonder Woman. Ezra Miller is charming and funny. He's the only person that doesn't take it all so seriously. That's really the heart of the problem. The movie takes itself too seriously. We've come to expect funny superhero movies. This isn't funny. It isn't as dark as some of the older DC movies, but it's too serious still. Also, Cyborg is kind of cool, Aquaman is still lame, and Ben Affleck looks terribly bored. 

Batman v Superman: Dawn of Justice (2016)

There were very high expectations for this film, and I think it fell short. The first hour and a half of the movie is a total mess. It is a series of short vignettes (for an hour and a half!) of seemingly unrelated themes. It relies on you knowing the back story to draw connections between the vignettes on your own, but on the whole they do not really contribute to the overarching story in the film. Speaking of overarching story, there seems to be scenes missing or rather the movie simply skips over the explaining parts and just assumes that you know what's going on. My biggest qualm is that the movie removed these useful scenes, while keeping the useless ones that simply set up more sequels without resolution--such as that inexplicable dream sequence.

The music seemed a little stale. Hans Zimmer is usually a master of the superhero soundtrack. He rightfully recognized that this would be his last superhero movie, claiming that he has run out of ideas. His Man of Steel soundtrack was quite good. I think it might have worked better to have more "Man of Steel" music and less new stuff.

Ben Affleck plays a Batman that is fundamentally different from the Christian Bale Batman that we have come to know and adore. He really plays up the vigilante side of Batman--a back-to-basics of sorts. It is not a bad thing, just different. And I like that the Batcave is underneath Farnsworth House. Actually, more difficult for me was seeing Jeremy Irons as Alfred; for me Michael Caine will embody Alfred always. Wonder Woman was left very mysterious. There weren't really any answers and she appeared out of nowhere. If Gal Gadot's job was simply to be mysterious, then she did it well.

And if you were wondering why are Superman and Batman fighting then you were right to wonder. Don't let the super fans scold you for asking the right question. They shouldn't be fighting. They're on the same side.

And there were no extra scenes in the end credits! What kind of superhero movie is that?

I saw this movie at the historic Senator Theater in Baltimore. It is a gorgeous old movie house and it made the movie going experience well worth it.

Gone Girl (2014)

Gillian Flynn pens the screen adaptation of her own best-selling novel.  As the original author, she has an intimate knowledge of the characters' complex mindsets and emotions.  In a very unique manner of storytelling, the audience is given a first person account by Affleck's Nick in the present, and a first person account by Pike's Amy in the past through diary entries. The two separated by stylistic fades to black--both presenting biased narratives.  In this way, the story unravels at a very deliberate pace, with reveals around every corner.

Adding to the intense level of suspense is the soundtrack by frequent David Fincher collaborators Atticus Ross and Trent Reznor of Nine Inch Nails.  The electronic sounds are ominous; they creep up on you and the tension builds mirroring the film perfectly.  Even if not terribly musical in the traditional sense, the score is so fitting and integral to the foreboding ambiance of the movie.

On the acting front, Rosamund Pike stands out in an excellent cast.  Without giving too much away, her character's mental state is quite complicated but she does a very good job.  Ben Affleck, too, acts convincingly as the "concerned" husband who is under close scrutiny for his wife's disappearance. And of course, thanks to David Fincher's direction, this all comes together eerily well.