Gypsy (Broadway) (2025)

The little I knew about Gypsy going into the latest revival was limited to a couple songs and an overbearing mother. Rose certainly is overbearing. No one else can barely get a word in. She's the original Dance Mom. It's sometimes painful to watch. As far as I know, Audra McDonald is the first black Rose on Broadway. And it adds a different dimension to the character, dreaming a delusional dream in the 1920s, dooming her children every time she denies them an opportunity to go to school. That both daughters eventually found success is a testament to their resilience. They humor their mother at their own cost. It's a tragedy, dressed (or undressed) in glitz at the end with a tinge of hope at reconciliation, but really tragic nonetheless. 

Audra McDonald is a treasure. She is capital-A acting in those book scenes, heavy accent, emphasizing words, throwing around her stage presence like no one else matters. I'm used to hearing her beautiful singing voice but here she strains her voice. It's not effortless. It's not pretty. It's pained. Her Rose's Turn and Everything's Coming Up Roses hit a register of her voice that's very uncomfortable. It's a tour de force. That's what musical theater is about--it's not just singing, it's acting singing. It's not about sounding good, it's about sounding a character. The power comes from her vision of who Rose is and her embodiment of the tragedy of her life. 

The Good Fight (2017-22)

The Kings' spinoff of The Good Wife (a stellar legal drama in its own righht) was the perfect way for CBS to enter the streaming wars. The Kings took a successful show, a formula that worked, and were permitted to experiment with profanity, more taboo teams not allowed on network television, and even animated musical segments. They challenged the censors, and memorably let their audience know CBS censored their satirical song on China in a meta episode about censorship. The Good Fight was the boon we needed in the Trump era. When the world turned tipsy turvy, The Good Fight satirized us by cranking up the absurdity further. It gave us a way to process the craziness around us. They rolled with the punches when the pandemic came around, always the most topical show on television. They brought back their cast of kooky judges and Chicagoland lawyers from The Good Wife, and even elevated Audra McDonald to a leading role. At the black law firm of Reddick & Boseman, we were introduced to many excellent black actors. And they played high powered lawyers! That was unheard of before and I hope those roles continue to be written. Clever and timely, poignant and funny-- though I'm not generally a proponent for TV spinoffs, I always looked forward to The Good Fight.

Beauty and the Beast (2017)

I think Disney actually did an enchanting job with this remake of the (Oscar Best Picture-nominated) original. The acting and casting is spot on. Specifically, Emma Watson is simply divine. She's beautiful and charming and who knew she could sing? Her voice actually sounds very pure. She is helped greatly by the new orchestrations, modernizing the familiar tunes. Emma Thompson is fine as Mrs. Potts but I don't think her rendition of the title song can match the iconic Angela Lansbury. There are some new songs in addition to the old classics. And they're all quite good. There is a noticeable amount of diversity among the villagers and even some interracial couples, though in provincial France they were surely all white. Disney of course had the controversy with Josh Gad's flamboyantly gay Le Fou, but it was actually surprisingly tame. They're making a big deal out of nothing. And Josh Gad is perfect for Le Fou. Besides, shouldn't Le Fou be gay? It's really just reading a little deeper into his character. The one casting I wasn't crazy about was Dan Stevens for beast. I have to admit, I did not recognize him or his name, but it's Matthew from Downton Abbey! His face is only in a small portion of the film, but the big reveal at the end was shocking. He looked to pretty with his golden locks to be taken seriously. It was like a joke ripped from the cover of a romance novel. If Disney was really trying to push boundaries, the prince would've been black.

Visually, the castle and costumes are quite stunning. The Be Our Guest sequence is just like the original. I, personally, had a problem seeing the detail though. I don't know if it was the movie or me, but every time the camera moved, everything looked blurry. I couldn't make out any of the lines. It felt like watching a 3D movie without the glasses on sometimes. Maybe it was filmed in 3D? There are definitely 3D versions being shown, but we had a 2D screening in a large cinema in Dublin.