The word that immediately comes to mind is harrowing. It's just absolutely devastating. The first episode is especially tense. My fists were clenched the whole episode in dread and anticipation. The brilliance of The Night Of is that despite the mood of impending doom that pervades the whole series, there are moments of levity. Morgan drew a good comparison to the Good Wife, with its eccentric cast of recurring lawyers and judges (John Turturro is great fun). I think the obvious comparison is to When They See Us, also about the false accusation of a young man of color in the murder of a white woman and an ensuing look at the New York criminal justice system. He is first prosecuted in the media, and then he is forced to learn to adapt to prison life. Riz Ahmed is transformative as Nasir. He's one of the most exciting young actors today. The standard of proof in a criminal case is beyond a reasonable doubt. To me, there was plenty of room for doubt, but I was sure the jury wouldn't see it (Though the mystery is resolved by the end, it's never really about who did it. It's about whether the system will punish him anyways). I was expecting that kind of devastating ending. I was so relieved when the jury declared a mistrial and the prosecutor did the right thing. Her closing statement was rife with tension, unsure if she'd follow through on what she knew to be wrong. That said, the trial seemed unrealistic, but better for TV. It seemed like a lot of the discovery was unreasonably late, and the direct examinations sounded more like cross.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Riz Ahmed. Show all posts
Showing posts with label Riz Ahmed. Show all posts
Monday, February 8, 2021
Thursday, October 4, 2018
Venom (2018)
In the Marvel Cinematic Universe, no one takes themselves too seriously. This movie never really strikes the right tone. The concept is so absurd and yet no one seems to appreciate that. It is only mildly tempered with some humor towards the end that is not even all that funny. This movie is Venom's origin story. It is unclear for a very long time what Eddie Brock has to do with the opening scene in Malaysia. We never really get a proper explanation of what the alien life forms want. Nor does it really matter. Because the focus of Venom's origin story is surrounds Elon Musk--I mean Carlton Drake. Tell us what you really think about that psycho. Also, they make such a big deal out of how difficult it is to find a suitable host that could survive the parasite bonding. Then halfway through the movie, they never have this problem again. We were initially led to believe that there was something special about Eddie that he was able to bond perfectly, but then all of a sudden, everyone can bond. The dialogue is really bad, Tom Hardy is OK, and the visual effects are kind of neat.
Wednesday, October 3, 2018
The Sisters Brothers (2018)
I'm not a big fan of westerns. Correspondingly, I sort of fell asleep a little bit in the middle. But it's not just a western, it's a dark comedy that's actually quite funny. It's so absurd that it's kind of funny. The cinematography is beautiful. The acting, from John C. Reilly especially (and I like Riz Ahmed), is a delightful surprise. But the best part about this movie is Alexandre Desplat's soundtrack. It's exciting and western and rhythmic and intoxicating.
Saturday, December 20, 2014
Nightcrawler (2014)
Nightcrawler is a devilishly stylish thriller. Jake Gyllenhaal plays a troubled man who films crime scenes and sells footage to news stations. The idea is novel and the execution is superb. Jake Gyllenhaal keeps you on the edge of your seat, guessing what conniving thing he'll do next. He's a fast talker with a unique outlook on life, which he voices often. He says his lines straight faced, deadpan in all seriousness, even when the words coming out of his mouth are twisted. Most of the action takes place at night, and the darkness amidst the lights of Los Angeles adds to the noir feel and atmosphere.
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