This is a fun movie about a sport I love and an iconic American. The importance of Billie Jean King transcends sport (and she is arguably the one of the most important athletes of the 20th century). Her story is interesting, daring and entertaining. The Battle of the Sexes was obviously a big and important event, but the US Open awarded equal prize money the same year to the men's and women's tournaments apparently outside of that context and it would have been useful to include that more directly. A little less of their personal lives would have been fine too. It was kind of long, otherwise they could have included more tennis politics. The movie is quite funny and it boasts a big cast of comedians, even in small roles like Fred Armisen, who has a couple lines and then sits quietly.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Austin Stowell. Show all posts
Showing posts with label Austin Stowell. Show all posts
Friday, January 5, 2018
Tuesday, December 29, 2015
Bridge of Spies (2015)
This is not just an espionage thriller, but a political thriller. It does a great job of explaining the complex political theater of Eastern Europe during the Cold War as well as the complex American justice system. We have the Coen brothers to thank for the easy-to-follow screenplay, which is saying something considering the infamous U2 incident is quite complicated. Steven Spielberg glorifies American values with soapbox speeches by the fantastic all-American Tom Hanks. As the idealistic and principled lawyer defending a Soviet spy, James Donovan upholds the Constitution by mounting a valiant defense in the face of public scrutiny taking his case all the way up to the Supreme Court. The spy is Mark Rylance who does not get much screen time, but plays a calm man ready to face whatever fate may come to him. The production design is also praiseworthy. It paints a gloomy picture of the ruinous East Berlin at the height of the Cold War as the Berlin Wall is being erected. The music was not composed by John Williams, the first Spielberg movie that has not featured his frequent collaborator since 1985's The Color Purple.
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