The Neon Demon (2016)

There is only one good thing about this movie, and that is the cinematography. Many of the shots you might find in a Vogue photoshoot. They are stylish and glitzy. The models: stoic and sexy. The first third of the film makes use of bold colors and lights, especially in the club scene. But after that, it seems like Refn gives up on style, and is just going for shock. His manner of shock is disgusting and misogynistic (and would have guessed that cannibalism would be a common theme in the Festival?). The characters are flat and one-dimensional, reducing these women to vicious animals, and one deer in the headlights.  Concerning the male characters, their stories are underdeveloped and unfinished. We are left hanging, not that I was ever really invested in them enough to care. Sure, I get the message about the modeling industry--but it is an inherently misogynistic one. As far as plot goes, there is beginning and end, but the middle is severely lacking. You are constantly asking "what the heck is happening?" Take the catwalk for example. What was the inexplicable triforce light doing there? I would go so far as to say it is boring and offensive movie. 

Mad Men (2007-15)

Perhaps one of the greatest shows ever on television, Mad Men had excellent writing, phenomenal actors, and glamorous costumes. This is a look inside the rich lifestyles of 1960s-era advertising executives, so called mad men for their Madison Avenue offices. This is a world that I was not very familiar with, but Matthew Weiner painted such a gorgeous and intriguing portrait that you can't help being sucked into this glitzy world of luxury.  Everyone drinks and smokes a ton. They're all having affairs with beautiful people. They eat and drink and stay at the finest restaurants and hotels, fly first class, live on Park Avenue and attend elite schools. The bigwigs show up to work whenever they feel like it and live the life, and yet happiness and satisfaction eludes them.

The sixties was a great era for fashion, and throughout the seven seasons we watch the fashion evolve (that's costumes and hair styling).  The show soars in its use of history as a period drama.  Some of the most memorable depictions are of the milieu of the time, especially when it comes to gender roles, JFK's and MLK's assassinations, and the Vietnam War.  The personal and professional lives of these characters took place in the context of a broader (well-researched) history, a society and culture undergoing change during the Civil Rights Movement and the rise of counterculture.  For many, I suspect this show evokes nostalgia, but for me it is a reminder that we once lived in different times--rotary phones, pay phones, black-and-white television, typewriters--it's actually kind of funny.

Don Draper will go down as one of the best characters ever (and it's a mystery how Jon Hamm, nor any actor from Mad Men, has yet to win an Emmy). He has a very thoroughly fleshed out background that gives reason to his existence as an ad man.  He is complex and brilliant--his Kodak pitch was phenomenal.  Peggy is a lead too, paving the way for herself against the force of sexism as the only female copywriter . She works her way up the ladder and you find yourself always rooting for Peggy.  Amidst all of the affairs, the central relationship in the show is actually Don and Peggy's non-sexual relationship.  It starts out as a mentor-protege relationship, but it evolves as they learn that they are the only ones that really understand each other.  Some of the most important episodes (The Suitcase, The Strategy) thrive with just those two characters in a room together.

The finale provided a very satisfying ending.  The final seven episodes are really one long finale that culminates in the last hour.  All of the main story lines are resolved with room left for some interpretation as to where they will end up in a year's time as they continue their lives.