I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Western. Show all posts
Showing posts with label Western. Show all posts
Saturday, May 25, 2019
Wednesday, October 3, 2018
The Sisters Brothers (2018)
I'm not a big fan of westerns. Correspondingly, I sort of fell asleep a little bit in the middle. But it's not just a western, it's a dark comedy that's actually quite funny. It's so absurd that it's kind of funny. The cinematography is beautiful. The acting, from John C. Reilly especially (and I like Riz Ahmed), is a delightful surprise. But the best part about this movie is Alexandre Desplat's soundtrack. It's exciting and western and rhythmic and intoxicating.
Monday, April 11, 2016
McCabe & Mrs. Miller (1971)
I can't say I've ever been a big fan of the Western. This movie is the classic anti-western, a parody of the classic genre. And it is quite funny, sometimes seemingly unintentionally. Sometimes it is just funny because you don't know what to make of the unusual scene you just saw. The soft songs of Leonard Cohen are a hilarious contrast to the untame, uncouth wild west. And Mrs. Miller's Cockney accent sticks out in the Pacific northwest.
Robert Altman's signature is all over this film. He loves to use zooms, both fast and slow. The slow zooms draw your attention to a small detail that you otherwise would miss. The fast zooms have a comedic effect. They are kind of cheesy at first, but the timing and frequency is perfect as you get used to them. Altman also pioneered complex sound mixing techniques. At first, I thought the sound was bouncing off the walls making it difficult to understand and distinguish dialogue. But that is actually his technique to immerse the viewer in the scene. When everyone is talking over each other, you don't actually hear any of it clearly. Instead, you read the ambiance of the scene rather than the actual dialogue.
Robert Altman's signature is all over this film. He loves to use zooms, both fast and slow. The slow zooms draw your attention to a small detail that you otherwise would miss. The fast zooms have a comedic effect. They are kind of cheesy at first, but the timing and frequency is perfect as you get used to them. Altman also pioneered complex sound mixing techniques. At first, I thought the sound was bouncing off the walls making it difficult to understand and distinguish dialogue. But that is actually his technique to immerse the viewer in the scene. When everyone is talking over each other, you don't actually hear any of it clearly. Instead, you read the ambiance of the scene rather than the actual dialogue.
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