Edward Snowden's saga has been well documented, thanks to the efforts of Snowden himself. It will be redone many times. It's an enthralling tale. I don't think any account will match up to Citizenfour. But this dramatization does an excellent job of painting Snowden as a patriot. Having seen all these different accounts over the last several years, I've gone back and forth on the issue. I constantly ask myself, would I be able to work for the NSA, or for the intelligence community generally? And I honestly have not arrived at an answer yet. I am really unsure about how I feel about the NSA's questionable efforts to enhance our safety. This film actually had the opposite effect of what I imagine was intended. It gives the impression that Snowden did the right thing and it did that. But I actually felt more inclined to join the intelligence community. It looked like they were doing important, cutting edge work. Some methods are better than others, but on the whole it is positive. Even if their morals are debatable, Stone does not undercut the work that the NSA does, in my view (though he might've been trying to). And although he disagrees with their methods, we know that Snowden has always maintained that it was for the public to decide, they simply had the right to know and make an educated decision. He's a humble bragger--that certainly comes across. Well done, JGL.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Nicolas Cage. Show all posts
Showing posts with label Nicolas Cage. Show all posts
Sunday, December 25, 2016
Thursday, June 2, 2016
Dog Eat Dog (2016)
I
was a little disappointed that Nicholas Cage didn't show up to the morning
screening, but I was otherwise pleasantly surprised by his performance. This
could have been a tired old crime story, but under Paul Schrader's direction we
get a fresh take. In the Q&A, he gave an example of how he updated the
classic genre. The strip club has been done before, so he did it in black and
white. And the contrast between the black and white with the solid vibrant
blues and reds (notably resembling police lights, or a drug-induced high) is
striking. The use of color in this film is one of its greatest stylistic
strengths. Willem Dafoe is really creepy. The first shot is a close up of his
deranged face. And then in a manner reminiscent of a Quentin Tarantino film, he
commits an admittedly stylish bloody double murder. And then of course there is Nicholas Cage.
And he is Nicholas Cage as usual, but it kind of works here. It is almost a
parody of that type of character and he plays it up.
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