Ralph Breaks the Internet (2018)

Wreck-It-Ralph was a great movie that didn't really need a sequel but I'm quite satisfied with this. The underlying plot is deeper than a little kid could comprehend. The movie ruminates on finding meaning in life. Ralph is content doing the same thing everyday. But Vanellope is looking for something more. More familiar to children will be the internet. Kids who have grown up with the internet have an inherent understanding of what it is that the rest of us had to learn on our own. Disney visualizes cyberspace with much humor and cleverness that people of all ages can appreciate. It's hard to overlook the nonstop product placements that we are bombarded with. I'll make a small distinction between the Internet product placements and the Disney "synergies" that are written into the plot, like the Disney princesses. But it's so obvious and shameless. Despite this, the movie is fun. And the voice cast is fabulous, especially Sarah Silverman.

The Sisters Brothers (2018)

I'm not a big fan of westerns. Correspondingly, I sort of fell asleep a little bit in the middle. But it's not just a western, it's a dark comedy that's actually quite funny. It's so absurd that it's kind of funny. The cinematography is beautiful. The acting, from John C. Reilly especially (and I like Riz Ahmed), is a delightful surprise. But the best part about this movie is Alexandre Desplat's soundtrack. It's exciting and western and rhythmic and intoxicating.

Chicago (2002)

I thought the movie was much better than the play. The movie's style does not replicate the revival's minimalist sets and costumes. It is much more extravagant, thankfully. What is so brilliant about the movie, though, is that it is theatrical. The musical numbers are staged, performed on a vaudeville stage with an audience rather than in the context of the story. It gives it an almost dreamlike quality that is just mesmerizing on the screen. The movie is all the better for it--praise for Rob Marshall's direction. The best numbers in the movie are still the best ones from the musical: All That Jazz and Cell Block Tango.   (I admittedly thought Nowadays was very good in the movie too). Cell Block Tango would've been very different if filmed in the prison. Catherine Zeta-Jones and Renee Zellweger are both phenomenal. In a musical you're obviously looking at the singing and dancing, but in the non-musical scenes as well, they are acting. Their desperation (for fame) comes through.

The Lobster (2015)

The Lobster is a super strange and awkward movie. It almost has a bit of a Wes Anderson feel to it. I love the premise. It is fresh and original. Colin Farrell moves into a hotel where singles have 45 days to find a partner lest they get turned into an animal. The first half of the film is highly enjoyable. It is a quiet kind of funny and you have no idea what is coming up next. The premise evolves and unravels and you're never sure what insane new rule the hotel came up with or what quirky guest is staying there. I won't reveal too much cause it's really insane. I do feel like the movie sort of falls apart in the second half. The hotel was so brilliant, that I was unsatisfied with the world created outside it where you have to learn a new set of rules.  I would've been happy if they had just fleshed out the story within the confines of the hotel. It's a shame because I really like Rachel Weisz, but the second half in which she appears was a little difficult for me to follow. 

Guardians of the Galaxy (2014)

Unlike Marvel's other offerings,  this movie runs like one long joke.   Lucky for Marvel, it's very funny.  In the theater that I went to,  there was no pity laughter; it was all genuine riotous laughter.   Being unfamiliar with the comics,  I'm not sure how seriously it is supposed to be taken. This proves that action movies can be more than just special effect.   The writing can still shine (talking to you,  Transformers).  The out of place 70s/80s music in an outer space saga adds to the joke feeling.   It really shouldn't work, but it does.  It is mixed into the film well in the form of a mix tape taken from Earth.

The casting of Chris Pratt was perfect,  not too serious at all and so funny.   Probably best known for playing dim witted Andy in Parks and Recreation, who knew he could pull off the hero type (albeit not your conventional hero)? Personally,  my favorite character is Bradley Cooper as Rocket the genetically modified racoon.  The scenes in which I laughed the hardest were funny because of Rocket.