I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Ray Romano. Show all posts
Showing posts with label Ray Romano. Show all posts
Sunday, March 1, 2026
All Out (Broadway) (2025)
It sort of plays out like an episode of Saturday Night Live, 90 minutes without commercials of sketch comedy with special guests and musical performances. The music here is performed by the band Lawrence. We got an understudy for Gracie Lawrence, but she (Olivia Puckett) was also excellent. I'd never heard of Lawrence before but I quite liked their music and fun instrumentation. Clyde Lawrence has a fantastic raspy singing voice. The show is basically half Lawrence concert. The other half is sketch comedy, not so much acted out, but read aloud, mostly on book from a seated position. Like SNL, some of the sketches are better than others, some just a few lines long; occasionally an audible laugh but mostly clever chuckles. They rotate the cast. We went for Ray Romano. But the star was really Nicholas Braun, who is basically playing Cousin Greg himself. He's comically tall and awkward. He improv-ed a bit, making his cast mates laugh. Jenny Slate also did a funny sketch where she plays a horse. Not just any horse but Paul Revere's midnight ride horse. It was fun, the music was good, the show wasn't too long.
Tuesday, October 24, 2017
The Big Sick (2017)
There's a few really great things going on in The Big Sick that just make you smile. Let's start with the obvious, we need more Asian-American stories in American cinema. South Asian men like Kumail Nanjiani and Aziz Ansari have broken the white stranglehold on rom-coms. Kumail is a fully developed character who must navigate his own heritage and underlying racism to get the girl. I think part of the reason the film lands so well with the audience is that it is based on a real, honest, autobiographical story. It is believable because it is never trying to simply make a statement. It's not a soapbox movie about racism, it's a love story. Kumail is likable, relatable, desirable--so the audience easily empathizes with him. The movie is intelligent and it brings freshness to the rather staid genre. It is rounded out by excellent performances from Holly Hunter and Ray Romano (it's nice to see him again).
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