The premise is so novel and creative and clever. It is pure genius. It is at once a story about growing up, about memories and dreams, and about learning to grapple with our feelings, our emotions and personalities. And it does so literally from the inside out, telling stories from inside Riley's mind. It is a story that only the world of animation could bring to life. It is very beautifully animated. It uses imagination to envision what imagination looks like. It envisions an expansive library of memories sitting in storage.
The characters are extreme caricatures, all cast perfectly. Amy Poehler plays Joy, a hyped up version of Leslie Knope. Likewise, Lewis Black plays Anger, an extreme version of his own persona. But it is the character of Sadness voiced by Phyllis Smith that shares the spotlight with Joy, or stands in the shadow of Joy's aura. I really appreciated Pete Docter's attention to sadness, an emotion for which the child-minded Joy sees no use; but our emotions are complex and sadness is not an inherently bad thing, and the real heart of the film is this interplay between these two characters learning what it means to be sad and learning to embrace it.
I also think that it is great that the main character is a little girl (a la Brave). Perhaps girls are a little more in touch with their emotions at a young age. But in any case, it is important for girls to see themselves portrayed on screen, and in Pixar's fifteen productions, this is only the second to feature a female protagonist. And she plays hockey! Take that, gender stereotypes.
PS. Did you catch the reference to Chinatown? "Forget it, Jake. It's Cloudtown"
PPS. Did you see the film poster at Dream Productions referencing Vertigo?
