The Dead Don't Die (2019)

Jim Jarmusch's latest is a zombie movie unlike any other. It's not a horror movie. It's a comedy, an unconventional one at that. It breaks the fourth wall. It has a huge cast of familiar Jarmusch faces in bit parts. The humor is kind of awkward, off kilter. Bill Murray and Adam Driver are perfect for the dry, slow-paced, often deadpan jokes. I'm starting to like Adam Driver more in his comedic work. There are a lot of seemingly irrelevant characters. Surely there is something Jarmusch is trying to say about the outcasts of Centerville, a small American town (village?) with a cast of lonely characters. I'm not quite sure what. The movie takes a wonky turn at the end. It wouldn't have been how I ended it, but I'm not entirely unsatisfied cause it's appropriately bonkers.

The Old Man & The Gun (2018)

This is such an unassumingly charming movie. I love everything about the retro, sort of grainy film-style. Robert Redford, in supposedly his final acting role, is just delightful. He acts so effortlessly, demonstrating decades of experience. You can't help but smile and be charmed like Sissy Spacek. And the movie is wistful, full well acknowledging the nostalgia factor in a brilliant Wes Anderson-esque montage at the end (paying homage to a young Redford, I think). The movie is actually quite funny, too. The dialogue between Redford and Spacek is disarmingly charming.

I do have one big criticism of the film. I really cannot stand Casey Affleck. He basically plays the same character from his previous collaboration with director David Lowery, A Ghost Story. Yes, in that movie he plays a dead sheet ghost. And in this film, he plays just as lively a character unironically. Actually, he plays himself. So is he even really acting? I don't think his story line really adds anything to the movie. We clearly are meant to sympathize with the criminal, so why go to the detective's point of view at all? Tika Sumper is fine but we unfortunately have to get Casey Affleck to get her. I am willing to overlook this glaring black spot because the rest of the movie is so darn pleasing.

Sorry to Bother You (2018)

Sorry to Bother You is a wickedly funny dark comedy. The social commentary in the film is bold and brilliant. The premise of the movie as seen in the trailer is absurd in itself. LaKeith Stanfield plays a telemarketer who has to put on his white voice in order to be taken seriously over the phone. His white voice is non other than David Cross, Tobias Funke himself who sounds supremely white. From there, the movie takes several unforeseen left turns through organized labor, modern slavery, human experimentation, and communism. The movie is genuinely scary at times because we see this absurd alternate world that is not-all-that-far from our own reality. We are slaves to a system of exploitation for profit without regard to human rights or dignity--not to mention the millions of people that live in actual slavery.  This vision of the world we live in is so dark that you can't help but laugh out of pure discomfort.