Mrs. America (2020)

The miniseries from FX on Hulu is quite good on the whole though some episodes in the middle are not as interesting. I think especially powerful is the Shirley Chisholm episode, helmed by an excellent Uzo Aduba. The episode speaks to the power of representation, even symbolic. Chisholm is the first woman and first African-American to make a run for president. And even if she never really stood a chance, seeing her on the stage was incredibly important. The Bella Abzug episode is also very good, helmed by Margo Martindale who tends to play politician-types, always very well; her costumes and accent and gestures are really great. What makes her episode especially powerful is the argument it makes about radical change. Ideas that may sound radical, over time, can and do move into the mainstream. The moment she realizes this while visiting Betty Friedan, known for her own brand of radicalism. Feminism, which once seen as radical, in her own lifetime, moved into the mainstream, and today (at least in the Obama era) are self-evident ideals, that a woman deserves equal pay as a man, for instance.  And then I also thought the Houston episode was very good, which takes place at the 1977 National Women's Conference. The STOP ERA women are at the Convention without their leader, and left on her own, Sarah Paulson's character in her drunkenness starts to see the light. The episode is a trip like something out of The Good Fight.

In a terrific ensemble cast, Cate Blanchett is the crown jewel as the awful Phyllis Schlafly. Even playing such a hypocritical brainwashed witch, Blanchett is typically excellent. I remember learning about Schlafly in school specifically as part of the anti-ERA movement but not as the mother of modern Republicanism. I think the series may give her a little too much credit for birthing Reaganism. Her valuable mailing list becomes the base of the modern Republican party. The irony is Reagan doesn't offer her a place in his administration, supposedly because he is already unpopular enough with female voters. However the line from Schlafly to Trumpism is much darker.

Spotlight (2015)

I don't know if I've ever looked at journalists as heroes, but this movie paints these investigative journalists at the Boston Globe as heroic figures.  It makes you want to pursue a career in journalism to uncover all the dirt that our most important institutions are hiding.  That's not to say that the movie glamorizes journalism, because it doesn't.  It is gritty work and these are average people that do not have much going on in their lives outside of their careers.  This movie is so good because it doesn't try to sugar coat it. This is difficult, demoralizing, alienating, soul-searching work.  And as the story (very) slowly unfolds at a controlled pace, the audience comes to the same discoveries of disbelief that the characters do.  

Michael Keaton has been getting all the buzz because he's fresh off of Birdman, but I think Mark Ruffalo gives the best performance amid a phenomenal ensemble cast.  He always does.  Rachel McAdams, too, does a standout job following some disappointing work in True Detective.  And John Slattery looks markedly different outside of a suit, but the big office still suits him well.  From inside the Boston Globe, we get the perspective of the journalists. We hear the victims' stories through the ears of the interviewers, and we hardly see any of the perpetrators.  They are unseen villains. The visible antagonist is the community itself and I think that is what makes the story so devastatingly interesting, how ingrained the Catholic Church is in Boston society.  

Mad Men (2007-15)

Perhaps one of the greatest shows ever on television, Mad Men had excellent writing, phenomenal actors, and glamorous costumes. This is a look inside the rich lifestyles of 1960s-era advertising executives, so called mad men for their Madison Avenue offices. This is a world that I was not very familiar with, but Matthew Weiner painted such a gorgeous and intriguing portrait that you can't help being sucked into this glitzy world of luxury.  Everyone drinks and smokes a ton. They're all having affairs with beautiful people. They eat and drink and stay at the finest restaurants and hotels, fly first class, live on Park Avenue and attend elite schools. The bigwigs show up to work whenever they feel like it and live the life, and yet happiness and satisfaction eludes them.

The sixties was a great era for fashion, and throughout the seven seasons we watch the fashion evolve (that's costumes and hair styling).  The show soars in its use of history as a period drama.  Some of the most memorable depictions are of the milieu of the time, especially when it comes to gender roles, JFK's and MLK's assassinations, and the Vietnam War.  The personal and professional lives of these characters took place in the context of a broader (well-researched) history, a society and culture undergoing change during the Civil Rights Movement and the rise of counterculture.  For many, I suspect this show evokes nostalgia, but for me it is a reminder that we once lived in different times--rotary phones, pay phones, black-and-white television, typewriters--it's actually kind of funny.

Don Draper will go down as one of the best characters ever (and it's a mystery how Jon Hamm, nor any actor from Mad Men, has yet to win an Emmy). He has a very thoroughly fleshed out background that gives reason to his existence as an ad man.  He is complex and brilliant--his Kodak pitch was phenomenal.  Peggy is a lead too, paving the way for herself against the force of sexism as the only female copywriter . She works her way up the ladder and you find yourself always rooting for Peggy.  Amidst all of the affairs, the central relationship in the show is actually Don and Peggy's non-sexual relationship.  It starts out as a mentor-protege relationship, but it evolves as they learn that they are the only ones that really understand each other.  Some of the most important episodes (The Suitcase, The Strategy) thrive with just those two characters in a room together.

The finale provided a very satisfying ending.  The final seven episodes are really one long finale that culminates in the last hour.  All of the main story lines are resolved with room left for some interpretation as to where they will end up in a year's time as they continue their lives.