Everybody Knows is Asghar Farhadi's Spanish-language debut. What made him decide to make this movie in Spanish, I don't know, as it isn't really a uniquely Spanish movie. It's a kidnapping drama about secrets in a small town. As the title suggests, everybody knows, everybody but the audience. But even the audience can deduce the secret constantly hinted at. I think the real twist is that knowing the secret doesn't solve the mystery. It doesn't answer who the kidnapper is. It sort of makes that central mystery inconsequential. And that's why though we get an answer at the end, the movie abruptly comes to a fade to white close. It's not about the kidnapper, but the secret.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Penelope Cruz. Show all posts
Showing posts with label Penelope Cruz. Show all posts
Tuesday, March 5, 2019
Wednesday, July 11, 2018
Murder on the Orient Express (2017)
I like a good mystery, but the fun is in the buildup to the revelation. And everything before the revelation in this movie is kind of dull. Poirot interrogates all the passengers separately so all of the movie stars get a a little bit of screentime and a couple lines to say, but with every little reveal I'm like so-what. There are hints of Sherlock in the style, but without the likability of Sherlock. If you don't know the solution, it's kind of clever. But immediately after, I fell asleep. I admit, I don't know how the movie ends and I couldn't be bothered to go back and find out. At least it looked nice.
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