Showing posts with label Tim Burton. Show all posts
Showing posts with label Tim Burton. Show all posts

Thursday, April 4, 2019

Dumbo (2019)

Tim Burton's singular vision is stunning. Disney has totally nailed the animation turned live-action visuals. The CGI is so good. They had some practice animating elephants in The Jungle Book, and live action Dumbo is adorable. His eyes are real. There is so much emotion in those eyes. And many shots are in the reflection of those eyes taking on Dumbo's perspective. The first scene in which Dumbo takes flight is breathtaking. And to think Dumbo doesn't fly in the original until the end. This new version adds an element of humanity. The kids are great. Danny Devito is a natural ringmaster. The movie plays a little like a superhero movie: Dumbo's origin story, if you will. The super power is obviously flight. Dumbo is given motivation to use his powers, and ultimately uses them to save the day. Maybe that's why it got mixed reviews... because it is a little formulaic in that superhero template that critics have tired of. But certainly didn't expect that from Dumbo. And I like Arcade Fire.

Tuesday, March 17, 2015

Big Eyes (2014)

Tim Burton's latest is a little out of the norm for him.  Tim Burton's dark and creepy aura is seen only in the paintings of Margaret Keane.  The little children with the big eyes are inherently spooky and yet full of emotion.  There is only one scene that really evokes what we expect from a Tim Burton movie, and that is when Margaret starts seeing real people with her signature big eyes. The other dark element to the movie is Lana Del Rey's haunting songs.  Otherwise, the film is quite bright, certainly not cheery, but bright. The atmosphere captures a genuine sense of 1950s Northern California.

I do think the courtroom scene towards the end is a little awkward. Waltz as his own attorney makes for an unusually comical scene in an otherwise dramatic film.  I cannot be sure if that actually happened in real life, but the point is that it abruptly culminates in the infamous paint-off.Amy Adams is excellent as always as the secretive artist Margaret Keane.  Christoph Waltz as her husband is a fantastic foil.  Amy Adams is one of the best actresses out there, and yet, the perennial bridesmaid, she has zero Oscars to show for it.  Waltz, on the other hand, has two. Both give award worthy performances, but unfortunately the film failed to rack up any nominations.