Fallen Angels (Broadway) (2026)

Fallen Angels is an old play from 100 years ago by Noel Coward. Our social mores have changed a lot since then but the play holds up. It's still very funny thanks to two very physical performances from the leading ladies. Kelli O'Hara is of course a theater stalwart but Rose Byrne, fresh off an Oscar nomination in a dark comedy, shows off her more traditional comedy chops. Byrne I think actually steals the show. She gets the funnier costume and wig. The two of them get progressively drunker throughout the night and it devolves from there. The set is beautifully appointed. And it's hilarious that Mark Consuelos who I've been watching on Live since I was a kid is making his Broadway debut (coincidentally in the same season as his son Joaquin in Death of a Salesman), with a thick French accent. The play is like Waiting for Godot, as he only appears in the final scene, has just a handful of lines. But that last scene is a riot. My one complaint is about the acoustics in the Todd Haimes theater. When the actors aren't facing you, it's difficult to understand what they're saying. But so much fun!

Kiss Me, Kate (2019) (Broadway)

In 2019, Cole Porter sounds real old-timey. The set is old-timey too but the set design really worked for me. The Taming of the Shrew is also commonly derided for being dated and out of touch. I wouldn't say that this production necessarily changes that. The all-female production of Taming of the Shrew that the Public Theater performed had more to say about our times than this second revival of Kiss Me, Kate does. "I Am Ashamed that People are So Simple" is renamed in this production from the original "I Am Ashamed that Women are So Simple". This single word change is a start, but it doesn't really address the misogyny of Taming of the Shrew, does it?

The best part of this production is the dancing. Corbin Bleu's three dance numbers: "Bianca", "Tom, Dick or Harry", and best of all "Too Darn Hot" are all electrifying. Too Darn Hot is astonishing. You'll notice that the best parts have nothing to do with the central plot of the show. The main plot is kind of uninteresting, but the subplots and the company numbers are a whole lot of well-executed fun. Corbin Bleu and Stephanie Styles will surely garner Tony nominations. Kelli O'Hara is just fine too, but it's not her best role. I wasn't crazy about Will Chase. I can't quite explain why. I think Steven Pasquale would have been a good choice.