Showing posts with label Josh Charles. Show all posts
Showing posts with label Josh Charles. Show all posts

Sunday, April 23, 2023

We Own This City (2022)

We Own This City has been described as a spiritual sequel to The Wire, which ran from 2002-2008. David Simon is the great chronicler of the American city. Simon and George Pelecanos return to Baltimore to follow up on the state of the police and the effect the killing of Freddie Gray. had on our beloved city. It's a damning critique of the Baltimore Police Department as an institution and the War on Drugs that bred it. It may come off as preachy at times, but that's because they're willing to speak the hard truths that no one else will. And yes, sometimes they need to be said out loud. It manages to be both aggravating and absolutely devastating. It makes you feel defeated, that the problems we face in this country are just so insurmountable under the weight of our broken and corrupt institutions.

Jon Bernthal gives a career best performance as Wayne Jenkins. There's something about him that just screams dirty cop. He has the brashness and charisma and bro-eyness. It's spot on casting. And his bawlmer accent is excellent. The time jumping is a little confusing, but it allows all the angles to unfold at once: the police, the FBI investigation and the DOJ consent decree. We see the police stops happen in flashback, and then relive them as the FBI investigates them, and then again as the DOJ gathers evidence for its own work. You can't look away; the miniseries is transfixing.

Sunday, June 5, 2016

The Good Wife (2009-16)

The Good Wife has consistently been one of the best shows on TV. In the era of cable television, The Good Wife has been the lone standout on the networks, delivering 23 episodes of high quality drama per season. It was procedural without ever feeling procedural. It was definitely the best legal drama, showing audiences different types of courts, a cast of quirky judges and lawyers, and interesting and innovative interpretations of the law. It glorifies the legal profession and, as an aspiring lawyer, inspires. Apart from the law, the politics was always engaging, especially behind the scenes of the campaign. The show always did a good job reflecting reality, bringing in stories from the current newspapers, like the brilliant NSA arc. Plus the writing was funny. It was overall an enjoyable show to watch--a show I would actually look forward to watching every week.

I didn't really like the finale.  It's one thing to leave us with uncertainty, but doesn't Alicia deserve some finality? Don't we deserve to know that she can be happy? I will always remember Josh Charles's last episode, a shocking moment coming out of left field in the middle of an episode in the middle of one of the best seasons, so we were given plenty of time to process what we'd just seen.

Not only was the main cast excellent, including Emmy winners Julianna Margulies and Archie Panjabi and my favorite Alan Cumming, but the recurring guest cast was phenomenal and memorable as well. Michael J. Fox and Carrie Preston are particular standouts. But each season had several new names worthy of praise. It was a show full of strong female characters played by strong female actors. Julianna Margulies will forever be known for playing The Good Wife. The show's title is a bit of a misnomer. The show quickly became so much more than a show about a woman who stood by her man. She was defined by her own accomplishments and prowess, never merely by her role as a wife.

Thursday, August 14, 2014

Dead Poets Society (1989)

Robin Williams delivered one of his most memorable roles in his Oscar nominated performance in Dead Poets Society.  Though a brilliant comedian, Williams was excellent in dramatic roles as well.  Full of quotable lines, creative lesson plans and inspirational life lessons, Williams's Mr. Keating is the English teacher everyone wishes they had.  Much of this can be attributed to good acting by Williams as well as a well written Oscar winning screenplay.  The film takes place in an elite boarding school, running the risk of alienating the general audience that cannot relate to the wealthy and privileged.  But this is not the case.  The students are for the most part down-to-earth. They have the same problems associated with growing up that everyone can relate to: academic pressure, family pressure, relationship issues.