The Woman in Gold (2015)

This movie is dramatization of a true story of Nazi art theft and the legal nightmare that Maria Altmann went through to recover the paintings that were stolen from her family.  These five Klimts include the iconic Portrait of Adele Bloch-Bauer I, which exemplifies Klimt's golden phase.  This movie combines two things that I like: legal drama and fine art, all set against the backdrop of the Holocaust.  Not only is the story fascinating, it is devastating. The movie is driven by themes of legal right versus cultural right. Klimt has come to be representative of Austrian culture, and his artworks are national treasures. Altmann hires a family friend to be her lawyer, an inexperienced Randol Schoenberg, the grandson of the famous Austrian composer Arnold Schoenberg. Altmann came from a wealthy Jewish family in Vienna that hosted the Austrian intellectuals of the day in a renowned salon.  Both characters are steeped in twentieth century Austrian culture, but their families were lain victim to the atrocities committed by Austrians complicit with the Nazis, yet the Austrian government has the audacity to suggest a cultural right to the paintings.

Helen Mirren is excellent as always as a woman torn between the rush of terrible memories Austria reminds her of and the pursuit of what is legally hers.  Tatiana Maslany convincingly plays a young Altmann, whose story is told in stylish black-and-white.  Ryan Reynolds plays the inexperienced lawyer and he comes across as kind of awkward, which is not necessarily a bad thing.      

The Imitation Game (2014)

Benedict Cumberbatch is so good as the eccentric British hero Alan Turing.  His stutters and mannerisms convince the audience that he is playing a true genius.  After doing a little research on Turing, I appreciate the little details included in his characterization that I otherwise would have ignored (For example, he was an avid runner in real life).  Turing was not the only person facing discrimination; Keira Knightley's Joan Clarke is a fellow outcast whom Turing befriends.  Knightley leads a fabulous supporting cast working in ultra secrecy during WWII.  Praise to the production design team for depicting the reality of wartime Britain.

This story is an important one that needs to be told to recognize these war heroes' massive achievement in computing history.  There were some parts in the subplots that went by so quickly that I failed to understand what happened.  As I later read, the subplots are partially fictitious.  The screenplay does a good job of strategically tracing three key periods of his life to highlight his closeted homosexuality without undermining the central war part of the story. The movie also attempts to explain Turing's famous Imitation Game and some of the mechanics behind his decoder.  Perhaps the ideas are too difficult for the common audience to understand, but I think we could have benefited from a little more detail about how the machine actually worked.