The Star Trek movies haven't aged so well. The special effects are really lame. Consider that by 1982, the world had already seen Star Wars while Star Trek was still using 60s-era VFX which I'm sure were really cool when Star Trek first premiered on TV. I quite like Star Trek otherwise, but I admit I fell asleep watching this one on the plane. The plot is much simpler than the sci-fi movies we're used to nowadays. Ricardo Montalban's Khan is devilishly good. I was surprised to see Kirstie Alley, who I did not realize had ever done Star Trek. Did Spock have to die? There have been so many incarnations of Spock that he doesn't really feel dead anyways, but I assume that packed a big punch at the time.
I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label George Takei. Show all posts
Showing posts with label George Takei. Show all posts
Saturday, May 25, 2019
Sunday, December 25, 2016
Kubo and the Two Strings (2016)
This has been an excellent year for animation, and in an off-year for Pixar at that (Finding Dory was good but uninspiring). And amid all these excellent animations, this one is surely the most beautifully done. This stop motion has some very impressive visuals, and it is rightly on the shortlist for the Oscar for Best Visual Effects It plays on the theme of origami and you could only imagine how difficult it must be to do stop motion in origami. There is a seamless combination with computer generation that you legitimately cannot even tell the difference.
On top of that, I love the music. Kubo plays his two-stringed instrument with magic powers. The Italian translation incorrectly titles the film Kubo and the Magic Sword, but it's not about the sword at all. What makes it so special is that his weapon is a beautiful cultural instrument. This film embraces Japanese culture and puts it on display in a beautiful homage.
The imaginative story is wonderfully complex, and unexpectedly sad and powerful. The range of emotion is Pixar-level, bombarding these kids with more than might understand. Maybe Laika will pick up the torch of creativity where Pixar left it and become the new cornerstone for the medium.
On top of that, I love the music. Kubo plays his two-stringed instrument with magic powers. The Italian translation incorrectly titles the film Kubo and the Magic Sword, but it's not about the sword at all. What makes it so special is that his weapon is a beautiful cultural instrument. This film embraces Japanese culture and puts it on display in a beautiful homage.
The imaginative story is wonderfully complex, and unexpectedly sad and powerful. The range of emotion is Pixar-level, bombarding these kids with more than might understand. Maybe Laika will pick up the torch of creativity where Pixar left it and become the new cornerstone for the medium.
Subscribe to:
Posts (Atom)