I am a student at Johns Hopkins with a passion for film, media and awards. Here you will find concise movie reviews and my comments on TV, theater and award shows. I can't see everything, but when I finally get around to it, you'll find my opinion here on everything from the classics to the crap.
Showing posts with label Morgan Freeman. Show all posts
Showing posts with label Morgan Freeman. Show all posts
Saturday, May 25, 2019
Friday, November 2, 2018
The Nutcracker and the Four Realms (2018)
Disney's latest attempt at a live-action re-imagining of a beloved tale is almost incoherent. It's ostensibly the Nutcracker, but it tries to emanate the Chronicles of Narnia, Tim Burton's Alice in Wonderland, and Wizard of Oz, making it wholly unoriginal. Some of the characters have the same names as the ones from the ballet but the story is totally different and that's a bad thing. Nothing is really quite explained enough to satisfaction. And there are a handful of plot points that frustratingly don't go anywhere. I love Keira Knightley and I've never heard her voice sound so unnatural. Also beware the mice; there are A LOT of mice in this movie.
But let's try to focus on the good. The cinematography and art direction are beautiful. Linus Sandgren's visuals are stunning as usual. The music of the Nutcracker is iconic. The score by James Newton Howard does not merely copy Tchaikovsky's composition. It does includes short snippets here and there. But Howard's excellent soundtrack has noticeable variations on the themes from the Nutcracker. There is one scene of the movie that rises above the rest: it's obviously the ballet scene featuring none other than Misty Copeland. In a movie full of CGI, the most magical scene is the one featuring practical sets on a ballet stage. I actually wouldn't have minded if more of the story was told through dance. That wouldn't have been inappropriate for the Nutcracker. They couldn't done a Chicago-esque kind of thing. The ballet is preceded by maestro Gustavo Dudamel taking his place in front of the orchestra in silhouette a la Fantasia. That's Disney invoking itself; I don't know if anyone else would be so bold but Disney.
But let's try to focus on the good. The cinematography and art direction are beautiful. Linus Sandgren's visuals are stunning as usual. The music of the Nutcracker is iconic. The score by James Newton Howard does not merely copy Tchaikovsky's composition. It does includes short snippets here and there. But Howard's excellent soundtrack has noticeable variations on the themes from the Nutcracker. There is one scene of the movie that rises above the rest: it's obviously the ballet scene featuring none other than Misty Copeland. In a movie full of CGI, the most magical scene is the one featuring practical sets on a ballet stage. I actually wouldn't have minded if more of the story was told through dance. That wouldn't have been inappropriate for the Nutcracker. They couldn't done a Chicago-esque kind of thing. The ballet is preceded by maestro Gustavo Dudamel taking his place in front of the orchestra in silhouette a la Fantasia. That's Disney invoking itself; I don't know if anyone else would be so bold but Disney.
Thursday, August 7, 2014
The Lego Movie (2014)
This is the best conceived animated film of the year by far. The level of creativity on this film is at the highest level. The dreaded super weapon is known as the Kragle, that's Krazy Glue with a few letters scratched out. The animators have created entire cities out of Lego pieces and the characters quickly construct vehicles out of the beloved children's toys. It looks like a really good stop motion, but it is in fact just innovative computer animation. The visuals are just incredible.
The humor is fast-paced, clever, full of cultural references and just pure fun. The movie is reminiscent of the cut scenes that can be found in Lego's series of video games (which I admit are quite fun). The jokes are similar, the animation is similar, and the master builders are basically video game characters. Whereas the video games and Lego sets separate Batman from Star Wars and pirate ships and the wild west, this film melds them all together, much to the benefit of Lego's marketing department.
The voice work is fantastic. Chris Pratt is having a very good year. As Emmett Brickowski, he nails the dim-witted, unassuming hero-type. Morgan Freeman is perfect as usual as the wise mentor-type. And Will Ferrell makes a surprise appearance in human form towards the end of the film. Without spoilers, it is his appearance that gives the film its heart. It was unexpected, but pleasantly thoughtful and wholly welcome.
The humor is fast-paced, clever, full of cultural references and just pure fun. The movie is reminiscent of the cut scenes that can be found in Lego's series of video games (which I admit are quite fun). The jokes are similar, the animation is similar, and the master builders are basically video game characters. Whereas the video games and Lego sets separate Batman from Star Wars and pirate ships and the wild west, this film melds them all together, much to the benefit of Lego's marketing department.
The voice work is fantastic. Chris Pratt is having a very good year. As Emmett Brickowski, he nails the dim-witted, unassuming hero-type. Morgan Freeman is perfect as usual as the wise mentor-type. And Will Ferrell makes a surprise appearance in human form towards the end of the film. Without spoilers, it is his appearance that gives the film its heart. It was unexpected, but pleasantly thoughtful and wholly welcome.
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