Boy Erased (2018)

Joel Edgerton must have some issues. The writer and director cast himself as the villain. This is no sympathetic villain either. I don't think he means to condone his character's behavior. Does he identify with the hack Christian therapist Victor Sykes? Overall, the movie is good. It exposes the truth about these "gay conversion retreats" for the child abuse they are; the Evangelical audience watches it for this purpose. But for audiences on the liberal coasts, it is more revelatory than expository. This is a whole Evangelical world so far from my own that I couldn't have fathomed.  There are some very troubling scenes in this movie, absolutely appalling stuff. Maybe none more than the victim blaming and the disturbing rape that goes ignored. And it makes me dislike the movie to a degree, again even though Edgerton is not explicitly condoning it. That it goes unpunished and uncommented on, almost amounts to effectively condoning it.

Three Billboards outside Ebbing, Missouri (2017)

It's a dark comedy, cleverly written, well-acted, and unexpectedly quite funny for a movie about vigilante justice. But I do feel like it hides a little behind it's label as a dark comedy. There are some rather problematic parts that I think have been glossed over a little quickly without scrutiny. For example, Peter Dinklage's character is the butt of a number of ill-spirited midget jokes. How about the blase attitude on police brutality? There's the cop that beats African Americans. There's this same cop that defenestrates people. There's the sheriff that seems to condone this cop's behavior. And we're supposed to feel bad for this sheriff? And what about the black friend that is thrown in jail on trumped up drug charges? Frances McDormand makes a big fuss about it at first, but then let's it go. Just collateral damage. So what redeems the movie amidst all this? Frances McDormand. She's devilishly good.

Lady Bird (2017)

What a beautiful little film about growing up. Saoirse Ronan is delightfully quirky as are all her friends and family. The writing is brilliantly hilarious. The relationships are authentic. The movie overall is just so refreshingly honest about adolescence. The ending maybe needed a little bit more closure for Lady Bird. Lady Bird's story is done but Christine's continues. I'm not really sure what specifics I want to say about this movie, but I loved everything about it. I think maybe it's the movies for which words escape you that are the most affecting--to literally be speechless.

Manchester by the Sea (2016)

By no means is it a fun film. No, it's about as depressing as it gets-. I really appreciated the storytelling. Kenneth Lonergan's script is well developed, unfolding in stages, weaving in flashbacks seamlessly, slowly revealing how our characters became the characters they are. It is an emotional story made more so by full fledged characters. Casey Affleck plays the troubled brother of the deceased. He is very good, dealing with grief in his own way. His expression does not change when he is first informed of his brother's death. Grief is a process, and we watch him go through various stages. Lucas Hedges, too, is excellent. His is another approach to grief. He provides some comic relief to the audience. What is perhaps so impressive about the characters are how real them seem. That's why it's so powerful.