Forever (2018)

This one-off series from the co-showrunner of Master of None is a fantastic gem of a show. Over its short 8 episode arc, it morphs itself incessantly, bringing pleasant surprises every episode. My lone criticism is they could have worked on the world building a little bit more. Riverside is actually relatively fleshed out (save for the inexplicable mold) but Oceanside asks more questions than it provides answers. This does not detract from the funny script, and characteristically funny Maya Rudolph and Fred Armisen, who plays essentially himself in Portlandia.

There are two noteworthy scenes/episodes of pure beauty that alone make the series worthwhile. The first is the opening of episode 1, a wordless montage, rhyming scenes from a marriage as the carousel of life passes by while Miles Davis's plays wistful trumpet in the background. The other is episode 6, a bottle episode, featuring two new characters, a bold move for a short series. The episode spans a full lifetime in just 35 minutes, fleshing out the overarching themes of the series with a new couple. Hong Chau and Jason Mitchell are both excellent in that episode. Their dialogue on realty, experience, race, and life is natural, funny, and touching, watching them fall in love at the wrong time, unfortunately it's never the right time. We watch them yearn and deny themselves the happiness that is within reach, a la Wong Kar Wai. It's a perfect episode that spurs June to take action in her life so that her "life" does not meet the same end.

Get Out (2017)

Jordan Peele, in his first solo project post-Key and Peele, holds up a mirror to liberal, middle class, suburban white society. Many reviewers have praised the film for capturing the modern zeitgeist of today, but they miss the point. And that is this: sixty years ago, Martin Luther King was saying the same thing (that the problem was and is moderate whites), and still the same holds true in 2017. Liberals may pat themselves on the back for electing Obama, but how much progress have we really made? Peele is simultaneously funny, scary, stylish, entertaining, clever and incisive. He astutely recognizes that horror is the perfect genre to represent the African-American experience. I don't typically watch horror movies, but this one is worth it. 

Show Me a Hero (2016)

This miniseries from the master David Simon is gripping. He exceeds at crafting and developing characters on all ends of the spectrum. He depicts life in Yonkers from the upper-class white side to the lower-class black side in public housing and then the integrated neighborhoods with the new contentious public housing. It matters that Simon's stories are inspired by real life. He is depicting a real slice of life in America, at times mundane but always real. When people want to see raw everyday America, they would do well to turn to Simon.

The choice of music is very fitting. For the most part, it's not performed music (diagetic) like in Treme. But it features lots of Bruce Springsteen in the Oscar Isaac scenes. And period hip hop in the projects scenes.

It is a timely story about race. They always are about race, actually. But this is very explicit. It is a true story about opposition to building federally mandated public housing in Yonkers, NY in the late 80s. Yes, recent racism in NY. It existed and exists today. You are made to see everyone's side of the story. Oscar Isaac plays the young mayor. He is always excellent, really inhabiting the life of this "hero." My favorite were the first few episodes with the nitty gritty local politics. But the development of Catherine Keener's character was also really engaging. The opening scene is also the ending scene, and while I kind of saw it coming, I was genuinely shaken by it. 

Begin Again (2013)

Begin Again is filled with good music.  Keira Knightley's singing voice is surprisingly pleasant.   Her singing is notably better than Adam Levine's acting.  Mark Ruffalo, as always is phenomenal.  The two leads have excellent chemistry.

However, the star of the film is definitely the music.  Gregg Alexander, John Carney and Glen Hansard have composed a solid soundtrack.  The song Lost Stars is sure to be a front runner for Best Song at the Oscars.  Carney is known for making movies about music, and he succeeds at integrating the songs into the plot.  The film must be compared to Once, and the fact of the matter is that Once is a better movie.  Begin Again seems to lack the emotional depth and the authenticity that Once has.

Capote (2005)

There's no denying that Philip Seymour Hoffman is incredibly captivating, completely becoming Truman Capote.  His Oscar was well deserved.  He nails the voice, the mannerisms, and the mindset of the man who captivated America with his true crime novel In Cold Blood.  I admit that sometimes it was a little difficult to understand what he was saying, but that just makes you listen more closely to the well written script.  While In Cold Blood gives us a little insight into the killers while the movie gives us intimate insight into the author at his height.  Capote spent six long years on this book.  Capote regularly expresses his frustration over how long it took. The film genuinely feels like six years, a little slow at times.