Andor (2022-25)

Andor is the best show on TV. It is the most important show of our authoritarian times. Don't be turned off by the Star Wars universe of it all. It has nothing to do with Jedi or the Force. It has everything to do with rebellion. It's about the spirit of revolution, about what pushes ordinary people to finally awaken to oppression and to do something to combat injustice. There are small actions and large, but everyone pays a sacrifice. An iconic quote from Luthen: "I burn my life for a sunrise that I know I'll never see." It's at once devastating and inspiring. It may take place in a galaxy far far away but the emotion is genuinely rousing nonetheless because we can sympathize. We're living through our own empire; it's not hard to see echoes of Ghorman in Los Angeles, Narkina 5 in our prison-industrial complex, Mina-Rau in our farms populated by Central American immigrants for the harvest.

It's a political thriller--a series of heist movies organized in 3-episode arcs (save for a 4-2 combo at the end of season 1). This gives the show a truly cinematic quality. It's like watching a series of Star Wars movies in which time passes between arcs but you're able to fill in the gaps anyways quite deftly. The action and cinematography and production/costume design look as expensive as the show cost. Knowing where this all ends (Rogue One) does not detract in the least from the suspense inherent in Andor. I also like that the show does not solely focus on Cassian. We get the Empire's side too, from the bureaucracy of the ISB. We see both the banality of evil and even hints of how a bureaucrat like Syril could eventually come to see the light. We see the face of the rebellion, and the shadows, the money and the power, the nice and the mean. Mon Mothma's crusade in the senate 

Season 2 Episodes 8, 9 and 10 are three of the most breathtaking episodes in quick succession.  Season 1 Episodes 6, 10 and 12 are also stellar. I'll say other moments that stand out emotionally: Nemik's manifesto and Maarva's last conversation with Cassian, inspired by Aldhani without knowing Cassian's role there, and Bix's final scene. 

Killing Eve (2018-22)

Killing Eve maybe outlasted its welcome a bit. The first season was phenomenal. The second one was even good. But I simply didn't find seasons three or four all that interesting. The plot became far too convoluted to follow. Early on though, when Phoebe Waller-Bridge led the writing staff, the show was funny and sharp and exciting and surprising. Villanelle and Eve were two of the best female drama characters on TV. Sandra Oh and Jodie Comer have great chemistry. They're both alluring but what is so subversive is the attraction between the deadly assassin and the obsessive agent. It's a bummer Sandra Oh never won an Emmy, but kooky Jodie Comer did land a victory for season 2. The finale episode did leave me unsatisfied. I felt like there was some explanatory closure missing. But I also didn't really want to watch more because the final season wasn't that enjoyable.

My Left Foot (1989)

This true story about Irish writer/artist Christy Brown is an inspiring and emotional vehicle for method actor Daniel Day-Lewis.  He plays a man born with cerebral palsy with limited mobility and speaking ability.  He learns to use his left foot to write and paint, and with some speech therapy he learns to talk.  Reportedly, Day-Lewis had difficulty using his left foot, and so he used his right foot and scenes were filmed in a mirror.  His mannerisms and speech are obviously the product of months of research and practice.  And this performance would earn Day-Lewis his first Oscar.  Brenda Fricker, too, won an Oscar for her performance as Christy's mother. She is strong despite poverty and a drunkard husband and perseveres to care for her many children.