Chernobyl (2019)

The HBO miniseries was remarkably prescient. In 2019, it was a warning, of the inevitable dangers that were waiting around the corner for a society built on lies and more lies. Craig Mazin and Johan Renck could not have predicted the arrival of the Coronavirus, arguably the worst global disaster since Chernobyl in 1986. "Why worry about something that isn't going to happen?" Especially when we know it is bound to happen...In 2020, the warning goes unheeded. As those in power continue to lie to each other and to the public and to themselves, the pandemic worsens. And they devalue expertise. Is Anthony Fauci our Legasov? The coal miner refusing to wear the mask is scarily accurate.

The first three episodes are frustratingly excellent, while the final two episodes are admittedly a little slow, though make science quite interesting.  The depiction of the Soviet Union in all its flaws, and styles, and bleakness is striking. I found a line in episode 4 to hit particularly close to home: "What you are proposing is that Legasov humiliate a nation that is obsessed with not being humiliated?" Donald Trump and Xi Jinping have this in common with the Soviet Union, caring only about appearances but being completely deluded as to how they are actually perceived. They are societies  that don't care about their people, ready to cut corners and silence the truth at the cost of lives. Comparisons to the Soviet Union are not complimentary.

Quick aside, I don't think Chernobyl should have won all the Emmys over When They See Us. Both express exasperated frustration in their early episodes, but Ava Duvernay's series evolves into an emotional journey that takes it to another level.

Mad Men (2007-15)

Perhaps one of the greatest shows ever on television, Mad Men had excellent writing, phenomenal actors, and glamorous costumes. This is a look inside the rich lifestyles of 1960s-era advertising executives, so called mad men for their Madison Avenue offices. This is a world that I was not very familiar with, but Matthew Weiner painted such a gorgeous and intriguing portrait that you can't help being sucked into this glitzy world of luxury.  Everyone drinks and smokes a ton. They're all having affairs with beautiful people. They eat and drink and stay at the finest restaurants and hotels, fly first class, live on Park Avenue and attend elite schools. The bigwigs show up to work whenever they feel like it and live the life, and yet happiness and satisfaction eludes them.

The sixties was a great era for fashion, and throughout the seven seasons we watch the fashion evolve (that's costumes and hair styling).  The show soars in its use of history as a period drama.  Some of the most memorable depictions are of the milieu of the time, especially when it comes to gender roles, JFK's and MLK's assassinations, and the Vietnam War.  The personal and professional lives of these characters took place in the context of a broader (well-researched) history, a society and culture undergoing change during the Civil Rights Movement and the rise of counterculture.  For many, I suspect this show evokes nostalgia, but for me it is a reminder that we once lived in different times--rotary phones, pay phones, black-and-white television, typewriters--it's actually kind of funny.

Don Draper will go down as one of the best characters ever (and it's a mystery how Jon Hamm, nor any actor from Mad Men, has yet to win an Emmy). He has a very thoroughly fleshed out background that gives reason to his existence as an ad man.  He is complex and brilliant--his Kodak pitch was phenomenal.  Peggy is a lead too, paving the way for herself against the force of sexism as the only female copywriter . She works her way up the ladder and you find yourself always rooting for Peggy.  Amidst all of the affairs, the central relationship in the show is actually Don and Peggy's non-sexual relationship.  It starts out as a mentor-protege relationship, but it evolves as they learn that they are the only ones that really understand each other.  Some of the most important episodes (The Suitcase, The Strategy) thrive with just those two characters in a room together.

The finale provided a very satisfying ending.  The final seven episodes are really one long finale that culminates in the last hour.  All of the main story lines are resolved with room left for some interpretation as to where they will end up in a year's time as they continue their lives.