Showing posts with label Wood Harris. Show all posts
Showing posts with label Wood Harris. Show all posts

Sunday, December 2, 2018

Creed II (2018)

Boxing may be the most solitary sport other than tennis (or maybe diving?). In boxing, you minimally have your team in your corner (Serena Williams learned at the last US Open that you you do not have your team in your corner, in spectacular fashion). But otherwise it is just you in the ring dueling your opponent. That's why I find it so curious that boxing movies are traditionally not about solitude but family and relationships.  The hyper masculine topics of boxing and cars (a la Fast and Furious) center around family. And that's what makes them interesting. It humanizes their subjects, the brutish and self-destructive journeymen (think Raging Bull).

Creed II cannot avoid the elephant in the room, that is the iconic status of Rocky. Perhaps no other movie in American history is so emblematic of a city. Without having to properly explain why, the audience inherently understands why Rocky cannot leave Philadelphia. Drago's first stop in the US is naturally the iconic steps at the Philadelphia Museum of Art. The shot opens with the statue, arms raised, and a tracking shot of tourists following Rocky's path running up the steps. The self-reference only works because Rocky has indeed achieved iconic status in our culture.

Creed II was not directed by Ryan Coogler, but Steven Caple Jr. steady hand does a fine job with enough style and pizzazz and tracking shots to satisfy the eyes. Boxing is visceral and we feel that. Our first glimpse of Rocky is through a mirror in a doorway (a frame within a frame within a frame), with Creed on the far right side of the screen. And only when Rocky moves out of the mirror does the camera pan to him. Though the movie can feel predictable at times, it is well done, engaging, emotional and ultimately enjoyable. Michael B. Jordan is electric and Sly in his later life has discovered a penchant for hats. They suit him.

Thursday, June 23, 2016

Ant-Man (2015)

Paul Rudd stars in this Marvel flick, which was actually quite funny. It is more traditional humor, unlike the riskier Deadpool. Quite frankly, I think Ant-Man works better. Michael Pena is hilarious as Rudd's sidekick. And Paul Rudd, as a comedian, is naturally funny and charming whereas sometimes you feel like Ryan Reynolds as Deadpool tries too hard. What is really great about this movie is that Ant-Man is human. He is not "super" like some other Marvel heroes. And as a human, he has human problems, family problems, mundane problems. This human element grounds the film in reality. The powers come from science, which though it is unrealistic, is hypothetically believable. It does not take itself too seriously, while not being a total joke like Deadpool. 

Monday, January 11, 2016

Creed (2015)

I've seen the original Rocky, but I haven't seen any of the sequels. So I basically got the gist of it, but I might have missed some of the backstory though it is well implied by the screenplay. I did not miss the reference to the American flag boxing shorts that Rocky bestows on Creed before the big fight. I think overall it is a solid movie, but I guess I just didn't really have the connection to the franchise that those who have been following this character for four decades. It is actually pretty incredible that it has lasted for so long and so many movies. It is not just Star Wars that made it all the way to seven. And what we see in this movie is an aging Rocky, and it is his story line that interested me the most. As a boxer past his prime, he must decide what impact he will have on the next generation. And I think this movie is quite good enough to create a new generation of Rocky fans who will now go back to see the movie that started it all.

Similar to Star Wars Episode VII, this movie borrows a lot from its original source material. It sticks to a tried and true formula. Michael B. Jordan as Adonis Creed packs Rocky-type heart that makes the character likable. Sylvester Stallone lets Jordan shine as the protagonist, playing second fiddle in his own movie. It is the second half of the movie that Stallone gives Rocky some substantive material (which I think brilliantly advances the character in a very natural way) and then he still finds a way to make this movie about the titular Creed. It could have become the Rocky show at that point, but he exercised a poignant restraint. And finally, the last scene on the legendary steps is the perfect way to bring the franchise full circle.